Kennedy, Author at The Lifecast Network • Page 3 of 4

5 Great Strategy RPGs (that aren’t Fire Emblem)

August 7, 2016 Kennedy

I’ve been getting really into Fire Emblem this past year–and although (most of) the Fire Emblem games I’ve played so far have been fantastic, it’s got me looking back on many of the other wonderful strategy RPGs I’ve played. The genre is a bit niche in the sense that in the last few years, there simply haven’t been very many strategy RPGs released in the West–let alone great ones. The mobile market, however, seems to have been getting a steady release of strategy RPG games in the last few years–and I’ll talk about that more in this list. When people who don’t play many strategy RPGs think of strategy RPGs, however, Fire Emblem is the obvious choice. After all, it’s a Nintendo title that’s enjoying a Smash Bro’s (and Awakening) induced burst of popularity, and like I said–in the last few years, we haven’t got many big strategy RPG releases outside of Fire Emblem Awakening and Fates. It’s a shame, too, because (as I’m about to show you) there are plenty of great ones to play! Without further ado, here’s a list of some of the best strategy RPGs you can play that aren’t Fire Emblem.

Shin Megami Tensei: Devil Survivor 2

via moarpowah.com

Yes, there’s a first Devil Survivor game that’s also good. No, you don’t need to play Devil Survivor 1 to play Devil Survivor 2. Yes, there’s an enhanced port called Devil Survivor 2 Record Breaker on the 3DS that’s also great. Yes, this game has an anime adaptation but it didn’t go so well and doesn’t serve even remotely as a summary of the game. Anyways, Devil Survivor 2 is one of my favorite games on the DS. It takes all the familiar themes from the first Devil Survivor game (You, your friends, and a VERY large amount of the Japanese population have been put on lock-down. Figure out why you’ve been put on lock down, make choices that could lead to a myriad of different endings, and ultimately, free everyone.) but, in the typical Shin Megami Tensei fashion, the sequel gets the gameplay and story better. The first game, although great, suffered a lot of balance and grinding issues–all of which are gone in Devil Survivor 2, leaving you more able to actually enjoy the battles in this game, not to mention the incredibly unique (and ultimately, very dark) story. The choices are more heavily emphasized in this game than the first one as well, and it really tests the player’s morals more than most other games. It’s an incredible, thought-provoking game that shouldn’t be looked over.

GrimGrimoire

via escapistmagazine.com

Funny story: I saw ads for this game in Newtype USA years ago, when it was about to be a new release, and I thought the game’s art looked gorgeous (after all: This is the first game that Vanillaware made as Vanillaware) and therefore, I wanted it. It came out shortly before my birthday, so I asked for it for my birthday, and lo and behold, I got it. The ads didn’t mention what kind of a game it was–it just had the image on the cover and a short blurb about the story, so going into the game, I had no idea what to expect. I hadn’t played a strategy RPG before then, so it took me a really long time to get the hang of this game. That never stopped it from being a fun ride, though. Usually very overshadowed by the outstanding success of other Vanillaware games like Odin Sphere and Dragon’s Crown, GrimGrimoire is absolutely a hidden gem. You play as Lillet Blan–a new student in a Hogwarts-esque wizarding school. However, strange things are going on, and in a Groundhog Day fashion, her first week keeps resetting and she has no idea why–and she’s the only one who realizes it, too. So the whole story is you trying to find out what’s going on. Using different kinds of magic (EX: Glamor, necromancy, alchemy, etc.) you’ll summon different familiars to stop your enemies. Needless to say, if you’re into mythology, this game is a must play solely because of how much mythology is present in the game.

Valkyria Chronicles

via gamespot.com

There’s an unspoken law in gaming that you can’t talk about great strategy RPGs and not bring up Valkyria Chronicles. War has erupted between the Gallians and the Imperial Alliance. You play as Welkin, the son of a very successful General, who is thrown right into it. He commands a militia squad, Squad 7, and through this, he tries to end the war one battle at a time so he can return to his peaceful life of studying nature. Admittedly, the story in this game is nothing too memorable. It’s the gameplay that makes this game so great. Valkyria Chronicles is a grade-A example of what difficulty should be in a game: Yes, this game is hard–but it’s nothing the player can’t handle. The gameplay is so simple and tight in this game that any mistakes made are 100% on the player. If you die, it’s because you messed up. Grinding, although it can’t hurt, will never be the reason you win or lose a battle. How the game play works is that you decide what troops you want to bring into battle (fun fact: 3 of the troops are characters from Skies of Arcadia) based on their classes and what kind of a strategy you want to use and who, therefore, will be the most useful. For example, if you’re in a battle with several tanks, you’ll bring extra lancers. If it’s a battle with a huge area, you’ll need extra scouts to survey the land. From there, you engage the enemy troops and fulfill your goal–which is usually something along the lines of taking over an enemy camp or defeating an enemy in a specific way. This game is on the PS3 and can usually be found at a really good price–there’s no reason not to give it a try. It’s incredibly addicting from start to finish.

Banner Saga

via bannersaga.gamepedia.com

The most recent game on this list, Banner Saga is a critically-acclaimed gem of a strategy RPG. Set in the Viking Age, you play as both Vognir and Rook–two heroes whose stories will, based on your decisions, eventually collide. Decisions are something heavily emphasized in this game, as there are many to make that can heavily change your game based on your choices. One of the best parts about the game play are the many classes and races you can have at your control–some of which come from Viking mythology such as the Varl and the Dredge. This game is available on just about any platform you can imagine–Steam, X-Box One, PS4, PSVita, iOs, and Android. As I mentioned in the intro, the mobile market seems to be a rapidly growing place for strategy RPGs, and Banner Saga is one of the reasons why–with its many features, engaging story, gorgeous art, and wonderful game play, it’s not hard to see why this game is so loved.

Final Fantasy Tactics: The War of the Lions

via Square-Enix.com

Another reason that the mobile strategy RPG market is doing so well right now, Final Fantasy Tactics: The War of the Lions is a gem on the PSP, and now that it’s available on mobile devices, is enjoying a new wave of fans who simply didn’t have a PSP when it came out. (Or were like me and were too busy playing the same 2 games on their PSP to care about many of the others.) This game is, at its core, an updated version of the original Final Fantasy Tactics which was released on the PS1 in 1997. You play as Ramza, a mercenary who finds himself caught in the midst of a civil war that could affect the fate of the world. Like Banner Saga, this game is very well loved by critics and receives consistently good scores. And of course, it’s not a Final Fantasy Tactics game without a few cameos: Including Cloud Strife (FF7), Luso Clemens (FFT A2), and Balthier (FF12.) This is a game I’d recommend not just to fans of strategy RPGs, but Final Fantasy fans looking to get into strategy RPGs as well.

Honorable Mentions: Ogre Battle 64, Jeanne d’Arc, and the Disgaea series

5 Japanese Games that would make Excellent Anime

July 31, 2016 Kennedy

Ask anyone what some of their favorite 2016 anime have been so far and I promise that almost everyone who’s watching it will include the Ace Attorney anime on their list. Whether they’re new fans who used the anime as a gateway into the franchise or longtime fans who want to relive the fun of the first two Ace Attorney games, several people–including myself–can’t get enough of the Ace Attorney anime. This really shouldn’t be a surprise not just because they’re excellent games, but because they’re so dialogue-based, it’s natural that they would transition well into an anime. Last week I wrote a list of Japanese games that likely wouldn’t make good anime–this week, I bring you a list of 5 Japanese games that I think would have good anime adaptations. Like the previous list, however, there are rules:

This is NOT a list of my favorite Japanese games. If you’re really dying to know my favorite games, look at the author description at the bottom. I have them listed.
All the games on this list are Japanese, but they’re not all JRPGs
All these are games have not received an anime adaption of any kind
I’m not saying that these would 100% definitely make great anime–nor am I implying that they ever will get anime. I have no way of knowing if any of these will ever get an anime, nor would I have any way of knowing if they were good unless I’ve watched them. These are just educated guesses–games that I think would have a significantly higher chance at having a good anime regardless of circumstances.
When I say “anime” I mean anime–not an OVA, not a movie, not a special. I mean a full-blown anime with at least 12 episodes, though almost certainly more. The fact that most anime from the last decade are 12, 24-26, or 52 episodes should be kept in mind, though.
I’m assuming the anime would be an adaptation of the games (EX: Persona 4, Ace Attorney) NOT a continuation, re-imagining, or separate story of any kind (EX: any of the .hack// anime, Advent Children)

On that note…

No More Heroes

via newgamernation.com

There are very few games that are practically begging to become an anime as badly as No More Heroes. First of all, this action-adventure, hack-and-slash is home of some incredibly unique characters–most well-known being the over-the-top, nerdy protagonist, Travis Touchdown. These characters alongside the already anime plot (Travis wants to be the top ranked assassin in the world) would let the episodes practically write themselves: Just animate some explosive fights and adapt the writing from there. It could be a fantastic action/comedy that would help new fans fall in love with the incredible world of this underappreciated gem, and would allow older fans to relive this incredible game.

The World Ends With You

via TechnoBuffalo.com

Confusing writing aside, The World Ends with You could make a wonderful anime. First of all, there’s the art style of the game–who wouldn’t love to see a TV anime (I say TV anime specifically because of the Redline movie) done in this style? Second, this game is home to a fantastic soundtrack that could be reused in an anime adaptation. Most importantly, I think that the writing in this game would be well-suited for an anime. It’s very easy to see in the game which conversations are important and which are more unnecessary, so it would be pretty easy to trim the fat from this game if it were to be adapted. There’s a large enough cast of characters to make an anime version of it hold the interest of the viewer through the characters in addition to the plot, but without overwhelming them since each character is so unique. Finally, because all the excessiveness of the writing in the game would be gone, it would be much easier to appreciate the character development in this game, alongside understanding the story which, admittedly, gets incredibly confusing at the end. This game will be 10 years old next year, and though we’ve seen some of the main characters appear in Kingdom Hearts: Dream Drop Distance, we’ve never had a sequel to this game. Tetsuya Nomura has gone on the record saying that a sequel is still a possibility, and what better way to get people excited and jog their memories of this game than with an anime adaptation?

Final Fantasy VI

via DualShockers

My main reasons for wanting a Final Fantasy 6 anime are the same reasons that I would also love a remake of this game, as I explained in my list of very unlikely games that I’d like to see announced at E3 that I posted in June. To quote the article, “I want to see Kefka’s face twist and writhe as he laughs maniacally, I want to see a more animated transformation for Terra, I want to see the opera scene as cinematically as possible—and I know I’m not the only one, as Final Fantasy VI is generally considered to be arguably the best 2D Final Fantasy game.” Final Fantasy 6 is a fantastic game, which is why I’d like to relive the whole thing, but more visually this time. The graphics were good for their time, but I think it’s time for an upgrade–be it a 3D remake or an anime. The writing for Final Fantasy 6 is incredible, and it contains arguably the best villain in Final Fantasy as well as some of the most memorable characters overall in Final Fantasy history. My only worry for a Final Fantasy 6 anime is condensing it, because it’s a pretty long game, so picking it apart and condensing it could potentially cause trouble, but I’m sure it’s still doable.

The Legend of Zelda: Majora’s Mask

via forbes

Seeing this game on the list probably won’t come as a surprise to most people who read the previous list of Japanese games that I think wouldn’t make good anime. For anyone who didn’t read it, suffice to say, I mentioned that Ocarina of Time wouldn’t make a good anime because it focuses more on the freedom of an open world and game play than it does the story–and in an anime, because you lose the game play and the freedom, it would rely heavily on the story–something Ocarina of Time simply doesn’t have as much of as other Zelda titles. Perhaps no Legend of Zelda game embodies great storytelling as well as Majora’s Mask, which is why I think it would make an excellent anime. It would also be really interesting to see what the production company would do to show the 3-day mechanic, but again, this is a wonderful tool for storytelling. Like Final Fantasy 6, the only foreseeable issue that could arrive is condensing it down, but due to the length of this game versus Final Fantasy 6, I’m sure it would be an easier feat for Majora’s Mask.

Any Fire Emblem Game

via Nintendo.co.uk

I think Awakening in particular would make the best Fire Emblem anime, but any given Fire Emblem game would likely be at least a good anime. First of all, there’s the linearity constant throughout the entire franchise: Each game is pretty straightforward in its story and what it wants you to do. This would translate well into an anime because it gives the whole thing an overarching plot–a goal to obtain–and thus helps the viewer stay focused in the writing. Secondly, Fire Emblem games are generally well-known for having very memorable characters–particularly Awakening, which is the first of 3 reasons I have for thinking it would make the best anime of any Fire Emblem game. Having good characters are a staple for having a good anime because they make the viewer care more because they care about the characters and they want to see what they do next. The only major problem with that and Fire Emblem is that, due to the perma-death these games are so famous for, there are dozens of important characters in each game. It would definitely become a task trying to figure out who’s more important that who, and thus, who warrants more screen time, if any characters should be cut out entirely, etc. Although it would definitely be the biggest obstacle in making a good Fire Emblem anime, I think that would be the only notable one because once you figure out who’s important enough for screen-time, the writing would be easily adapted by the in-game dialogue, and could likely be used word-for-word because of the aforementioned linearity. The other major reasons I think Awakening in particular would make the best Fire Emblem anime is 1. It’s generally called the best entry point into the series. Granted those are for game play reasons, I think it would still hold true in an anime since the characters of Awakening have proved their importance in the future of the franchise as we can see from Fates. 2. Frankly, Awakening has the best story of any of the Fire Emblem games I’ve played. Combo that with the most memorable characters and it’ll be a great experience for the viewer.

Like I said in the previous article, I’d like to encourage leaving comments with your thoughts: What are some games you like that you think would make good anime? Why? Do you disagree with any of the games on this list? Did I leave anything out? Again, in the pursuit of knowledge, I’d like to heavily encourage feedback.

5 Japanese Games that would make Horrible Anime

July 24, 2016 Kennedy

Especially in the midst of the success of the Ace Attorney anime and the convention season, everyone loves talking about what games they think would make good anime–particularly Japanese games for obvious reasons. I’ve watched a pretty fair share in anime in my day, I even co-host a podcast on anime. My point being, I think I know enough about anime and the anime industry that I could make some pretty sound predictions about Japanese games that wouldn’t make good anime. But just to make sure we’re on the same page for this list, let me lay out some rules and disclaimers:

This is NOT a list of my least favorite Japanese games. I’ve exclusively selected games that I like for this list to help get my point across.
All the games on this list are Japanese, but they’re not all JRPGs
All these are games have not received an anime adaption
I’m not saying that these would 100% definitely make bad anime–nor am I implying that they ever will get anime. I have no way of knowing if any of these will ever get an anime, nor would I have any way of knowing if they were bad unless I’ve watched them. These are just educated guesses–games that I think would have a significantly higher chance at having a bad anime regardless of circumstances.
When I say “anime” I mean anime–not an OVA, not a movie, not a special. I mean a full-blown anime with at least 12 episodes, though almost certainly more. The fact that most anime from the last decade are 12, 24-26, or 52 episodes should be kept in mind, though. I’m assuming the anime would be an adaptation of the games (EX: Persona 4, Ace Attorney) NOT a continuation, re-imagining, or separate story of any kind (EX: any of the .hack// anime, Advent Children)

On that note…

Zero Escape (999/Virtue’s Last Reward/Zero Time Dilemma)

via redbrick.me

Any Zero Escape game–especially Zero Time Dilemma–would make a horrible anime for the same reason Watchmen made a horrible movie and Bioshock would make a horrible anything-but-a-game: The medium this story was told through is no accident–it’s a story that only works as a game. The major theme of the series is learning that your decisions–not the characters in the game, but you, the player–in the game come at a cost, and ultimately, you have to go through every decision to reach a true ending. In an anime, you’d lose that theme: It’s a theme that only works as a game because it’s a theme that thrives on the player’s decision’s. Moreover, without spoiling it, I’ll say that it would also ruin the point of the ending of Zero Time Dilemma, as it also plays into the theme of the player’s choices–not the characters in the game, but the player themselves–will always come at a cost. It’s a very subtle but graceful way of breaking the fourth wall that only works through a medium in which you yourself can make a conscious decision–a medium like a game. In an anime, you don’t have to make decisions, the characters do, and therefore the theme is lost. Again: Bioshock does the exact same thing which is why the idea of a Bioshock movie absolutely sickens me. Watchmen does this as well (although in comic book form) which is partially why the movie never stood a chance at being good.

The entire Silent Hill franchise

via criticalteatime.wordpress.com

Silent Hill is a very tricky beast when it comes to adaptation. As you may or may not know, there have already been 2 Silent Hill movies made in the West. Personally, I think they’re okay movies as long as you’re not considering them to be adaptations of their games (Silent Hill 1 and 3) but rather, a re-imagining. If nothing else, like their games, they’re visually stunning. But there’s a number of reasons why I think any given Silent Hill game wouldn’t make a good anime: First and foremost, the visuals. Silent Hill games are generally made to look like horror movies, which is why we see a realistic art style and dynamic camera angles in each entry. By making it look, well…anime, it loses its tone of realism, and thus a lot of the seriousness would be lost as well as the idea of it being like a horror movie–because now it simply doesn’t look like one. Secondly, it’s a survival horror series: By making it an anime–something you watch rather than experience, you lose the survival aspect of it–therefore losing even more of what makes it Silent Hill. Finally, another important theme in Silent Hill is exploration: Wandering around the almost barren, unfamiliar streets of Silent Hill and exploring–at least when you’re not greeted by a locked door. It’s one thing when you’re the one doing the exploring–it’s another watching someone do it. Although I doubt it would be awful, and of the games on this list I think that (if it were Silent Hill 1-4) a Silent Hill game would have a higher chance of being at least somewhat more interesting than the rest of these, but because so much of the already short Silent Hill games are spent exploring and solving puzzles, I doubt simply watching it (which you’d almost certainly have to because Silent Hill games are so short) would be as fun. Without a doubt it would lead to pacing issues that simply aren’t present in the games. I think that, if done properly, a really good Silent Hill–and I mean really good–movie is very possible. It’s already been proven that it can at least be okay. I just don’t think that, primarily due to the length which would definitely cause pacing issues, art styles, and lack of involvement, a Silent Hill anime would likely get really stale and repetitive really fast.

Besides, if the Silent Hill game that got an anime happened to be Book of Memories, that alone would be a red flag.

The entire Kingdom Hearts franchise

via gamezone.com

As dearly beloved (ba dum tssss) as Kingdom Hearts is, it should come as no surprise that it’s on this list. First of all, the length. Between all the games, it would probably take so long to finish a Kingdom Hearts anime that covered everything that Kingdom Hearts 3 would probably be out by the time the anime finished–and that’s assuming that its production company would give it all the time it needs rather than restricting its episode count like practically every anime to have come out in the past 10 years as I mentioned at the beginning of the article. Second, Kingdom Hearts is infamous for its horrible, incomprehensible writing. Especially if it had to be shortened and thus further rushing the already questionble writing, you’ll do Kingdom Hearts no favors. If you take the game play out of Kingdom Hearts, you’re left with a story that loses itself in its alleged symbolism, clearly doesn’t know where its been or where its going, and tries entirely too hard to be emotional and unpredictable to the point where it becomes the entire opposite: Dry, predictable, and forceful (and thus highly unsuccessful) in its “emotional plot twists.” The characters make it no better, since almost all of them are two-dimensional tropes rather than characters. The whole thing would look like a desperate attempt by the devs to see how many Disney characters they can throw in before Disney will finally sleep with them and give them some royalties.

In other words, I’m saying a Kingdom Hearts anime would be awful because it would be Once Upon a Time, but animated.

The Legend of Zelda: Ocarina of Time

via dorkly.com

When I think about why Ocarina of Time is such a fun game, I think about the freedom of the game: Freedom to forget the story and go on side quests whenever you want, freedom to leave the temple and explore, a huge open world with so much to explore and dozens–if not hundreds–of secrets to uncover. Sure, none of these things are required to beat the game, but they make it exponentially more fun. Ocarina of Time isn’t a very story-driven game–at least not very much compared to other Zelda games. This is a game that emphasizes the player’s freedom and wants you to get distracted and take your time and do what you want, when you want. This is a theme common in Zelda games, but is most prevalent in Ocarina of Time–at least out of the Zelda games I’ve played. I’m not an expert when it comes to The Legend of Zelda. Far from it. However, without the sense of freedom to do what you want when you want–not to mention the game play and the puzzles–I think Ocarina of Time would suffer more than any other Zelda game to rely entirely on its writing, characters, and story alone–free of side quests or distractions of any kind–as an anime would have to. Because it was made to be such a free game, the story isn’t as interesting as it is in other Zelda games–particularly Majora’s Mask, which has excellent storytelling in addition to freedom and fun game play. In short, Ocarina of Time wouldn’t be very interesting to watch because it would likely turn into another generic adventure anime with no particular highlights. Whereas games like Majora’s Mask and Twilight Princess, for example, could still be found generally enjoyable relying on just their writing, Ocarina would struggle exponentially more than them because it simply has less writing because the game emphasizes freedom and game play more than any other Zelda game. The fun of Ocarina of Time comes from its freedom and game play–not the writing and story.

Anything Donkey Kong related

As I mentioned at the beginning of this article, to help get my point across, I exclusively used games that I love for this list–including Kingdom Hearts, which I know is probably hard to believe at this point since I trash talked it so much, I’m sure. This doesn’t mean that I wouldn’t watch any of these anime though: If an anime were announced for any of these titles tomorrow, I’d absolutely watch them. I just wouldn’t count on them being good unless it were a side story or a retelling of some kind. Regardless, I’d like to encourage leaving comments with your thoughts: What are some games you like that you think would make awful anime? Why? Do you disagree with any of the games on this list? Did I leave anything out? Again, in the pursuit of knowledge, I’d like to heavily encourage feedback.

Gameboy Ads: It was a Different Time

July 17, 2016 Kennedy

I’m one year away from getting my Bachelor’s degree in advertising, and if there’s one thing I learned about the advertising industry in these past few years, it’s that it’s a mine field. All it takes is one wrong word, one wrong model, one wrong shirt, or one wrong placement, and suddenly the whole ad takes a completely new meaning–oftentimes a negative one. Let me show you an example.

via Cracked

Here we have an American Starbucks ad from 2002. Looks harmless right? The customers didn’t think so. This ad is from the Spring of 2002–care to remember what was heavy on America’s mind in 2002? I’ll give you a hint–it involved two tall, side by side structures and a flying object that planned on collapsing, but not into cool. That’s right, this ad was recalled because many customers thought that it was trying to demean 9/11. Was it intentional? Absolutely not. But this is just the point I’m making: Customers oftentimes see things that photographers and graphic designers don’t–and all it takes is one person to say, “Hey, this ad looks like 9/11!” and another person to agree with them before that’s all anyone can see. Suddenly, a harmless ad has turned into a vicious mockery–all without the company intending it. The advertising industry can be absolutely incredible sometimes.

As you can see, timing is one of the biggest factors that can lead to an otherwise harmless ad taking on a whole new meaning–just ask Weight Watchers, who probably learned this lesson the hardest in 1997. To summarize, the day following the death of Princess Diana–who, I’d like to remind you, died in a car accident in an attempt to flee a paparazzi–Weight Watchers sent out mail-in ads featuring the Duchess of York Sarah Ferguson saying that losing weight is “harder than outrunning the paparazzi.” You see where this is going, right? The campaign had been planned out months in advance, and by the time the news of Diana came in, the ads had already been mailed out and were immediately recalled. Timing is arguably the biggest factor that can lead to ads taking on completely new meanings. If that Starbucks ad had been released at least 3-4 years later, I highly doubt it would’ve been recalled for resembling 9/11. Likewise, had that Weight Watchers ad come out at least a year or two later, it wouldn’t have received any negative backlash either. But that’s not to say that time does nothing but work against an ad as it did for Starbucks and Weight Watchers–in Nintendo’s case, timing worked for them when it came time to start advertising the Gameboy.

As I’m sure your grandparents–even your parents or older friends and relatives–have wonderfully displayed for you, different eras of history had different values. Different values, different mindsets, different morals, different concerns, different interests. An ad that was effective in the 60’s wouldn’t be very effective today–and likewise, an ad made in 2016 wouldn’t be very effective in the 60’s. Ads generally have a very short shelf life because of how fast society changes–what’s trending, what’s effective, where is the target audience. Obviously there are a few ads out there that have managed to survive the tests of time longer than most–most well known among them probably being the man in the Hathaway shirt–but generally, even the longest living ads don’t live for more than a year. Think about it: A year ago, did you see any ads that are still where you found them? Are they still completely unchanged? Probably not. As society changes, so do ads. This is why ads from even the late 80’s and 90’s–such as the Gameboy–probably wouldn’t stop at just being ineffective in today’s market, but would probably be considered offensive by some.

Enough talk, let me show you what I mean:

via Coloribus

In recent years, eating disorders have really started coming to the forefront of America’s attention–definitely much more so than they were in the early 90’s. That’s why when this ad was published, nobody bat an eye at it–because it was the early 90’s. Eating disorders weren’t considered a major problem by the American media yet. If this were to be published today, I’d bet you anything in the world that it would be criticized for “making fun of anorexia, bulimia, and other eating disorders.”

But that one’s not awful, right? To consider it offensive is a bit of a stretch, and I’m not trying to start a debate over whether it’s because people these days are more sensitive or if it’s because people have always been like this and it’s just that the Internet has been a more effective outlet to voice these concerns. When there’s an ad, no matter how innocent, someone somewhere will always find at least one thing they don’t like about it. You could have a charity ad filled with corgi puppies and someone, somewhere will say, “I don’t like this ad because I like pugs better.” It’s just that some ads–like any of the ones I’ve already mentioned–have more agreeable, more obvious reasons to be disliked than others. You can complain about the corgis all you want, but the fact of the matter is, most people think they’re cute and won’t care that it’s not a different breed of dog–because corgis are still cute. And I think this ad is one of those ads. You could argue that it’s offensive, you could argue that it’s just made in good fun. It’s not exactly heavily leaning in one direction or the other. Do I think it would cause controversy if it was used today? I could see it causing a little stir, but nothing major. I doubt it would get recalled, but I could definitely imagine some people having a problem with it. But the fact of the matter is, because of the time it was published, it didn’t cause any problems. Most Gameboy ads fall under this umbrella.

via Kinja

via 8-bitcentral

via imgur

Another important factor to keep in mind about Gameboy ads is that at the time, although children were the largest audience for Nintendo, its adult audience was still sizable enough to make it worth making ads for–which is why you’ve probably noticed adult themes in some of these. Does that excuse some of these ads from being notable? You could argue one way or the other since, at the end of the day, Nintendo did still consider itself a family-friendly company even then, and these ads were basically their equivalent to some of the occasional adult lines in old kid’s movies.

Those are the ads that, in my opinion, might be considered slightly controversial if they were released today–they might have a few concerned customers (but again: no ad doesn’t) but it’s doubtful that they’d cause a major uproar.

Then there are these two:

via gameboyoriginal.blogspot

via gameboyoriginal.blogspot

Both of these ads are from the early 90’s–they’re from a time where trying to poke fun at racism and rape weren’t considered a red flag in not just advertising, but the media as a whole. Because of the time these ads came out in–a time where racism and rape weren’t in the spotlight of American media–these ads weren’t considered problematic. It should go without saying that if these ads were published today, they would put the utmost negative spotlight on the otherwise family-friendly Nintendo. They would be recalled immediately, talked about in several news outlets, and might even cause legal problems for Nintendo. Amidst the Pokemon Go hype, great expectations for the NX and Breath of the Wild, and the upcoming Pokemon Sun and Moon, it seems as though Nintendo is untouchable: Like nothing can bring them down right now. If these ads were to be published today, however, I’m absolutely certain that they’d be Nintendo’s kryptonite.

I’m not saying that we should judge Nintendo for these ads, though. Like I mentioned: It was a different time with different values. I’m not trying to say that this makes these ads okay–because frankly, it doesn’t–but these ads from 20 years ago don’t reflect the thoughts and feelings. These ads are awful, yes, but trying to purge them from Nintendo history is like trying to forget that there was a time when racism and rape weren’t considered major problems in the media–it’s like trying to censor Nintendo’s history. We’re not pardoning them, we’re simply acknowledging that there was a time when such behavior was considered acceptable. Censoring them and trying to brush them to the side is like trying to say it never happened. I’m not saying Nintendo should be proud of these–it shouldn’t. If I were in charge of their marketing, I know I wouldn’t be. I just think it’s important for us to remember the time these ads came out during when looking at these: These ads are 20 years old and should be taken with a grain of salt. They reflect Nintendo of the early 90’s–not Nintendo of 2016. It was an awkward time for Nintendo’s advertising department–their awkward, middle school years. They’re not proud of them–they shouldn’t be–but let’s not forget that there was a time when this was considered acceptable advertising.

The point I’m trying to make here is to show you how short the life of an ad is–these ads from 20 years ago would be considered downright unacceptable,and without a doubt would cost Nintendo millions of dollars, in today’s media. As I mentioned in the beginning of this, the advertising industry is a mine field, and if you didn’t believe me in the beginning of the article, I hope you do now. It’s looking back at ads like these that make me wonder what ads of today will be considered offensive in 20 years–or even 50 years! If you thought some of these ads were bad, you should consider looking at ads from the 40’s and 50’s. It was a different time full of different people with different values.

Why it’s Harder for me to get into Pokemon Go

July 13, 2016 Kennedy

Pokemon Go. I don’t need to tell you what it is, I don’t need to tell you how great it is, I don’t even need to tell why this game is revolutionary. TheJWittz uploaded a quick video about it yesterday, and he mentioned that one of the biggest flaws of Pokemon Go is that it’s significantly more difficult when you live in a rural area, and you know what? That couldn’t be more true. I’m writing this article to shed some light on one of the main issues of this game that I think gets incredibly overlooked because of the other issues that effect everyone regardless of where they’re playing–issues like staying on for more than 10 or 15 minutes at a time, the battery power it eats up, and so on. If you live in either a rural area or a state where it’s overwhelmingly hot during this time of the year–especially if you live somewhere that’s both at once, as I do–this game loses some of its charm because it’s just so much harder to play since you have to go really out of your way to play it.

I live in Northern Oklahoma City, and contrary to its name, there’s nothing “city” about Oklahoma City. Below is a picture of the area surrounding my house. As you can see, there’s one Pokestop, and it’s a pretty fair distance away. A fair distance I can’t make without a car because the only walkable area of Oklahoma city is Bricktown–which is a 30-40 minute drive away from me. It’s a good thing gas is pretty cheap over here, because you’ll have to drive a pretty fair distance to find a Pokestop or a gym. I don’t even know where the closest gym is to me because I just haven’t been able to find one within 20 minutes of my house.

Wow, look at all these Pokestops

But I know what you’re thinking: Going out and exploring is one of the best parts of Pokemon Go. I’m not denying that, but you know what’s not one of the best parts? Needing to go on a 30 or 40 minute road trip just to catch anything but Rattata and Weedle. Even if you are feeling gutsy enough to go walking around, Oklahoma is incredibly hot. And it’s even worse for me because being the pale ginger that I am, I have a long, illustrious history of sunburns, and even if I were to by some miracle apply enough sunscreen to prevent a sunburn, I live in a very green area full of snakes and bugs. If you don’t believe me, here’s a peek just past my backyard. Pretty, yes, but not very useful for Pokemon hunting.

Welcome to Oklahoma “City”

In summary, it’s really hard for me to really get into some of the best aspects of this game because I just don’t live in a big city. There are a few Pokestops within a reasonable distance of me, but they’re very few and far between, and I can’t even find a gym near me. In fact, despite everything I just said about Oklahoma City, it’s still the most populated area of Oklahoma, alongside Tulsa and Norman. But I know people who live in cities vastly less populated like Clinton and Henryetta who just couldn’t be having a worse time right now for the same reasons, but to a more extreme. I live in a rural state where it’s incredibly hot and sunny, and in a very green area that’s full of bugs and snakes–it’s very unwise to go outside for long over here, especially when you sunburn as easily as me. I hate that I have to go Downtown if I want anything other than Rattata or Weedle. And again, I know that going out and looking for hot spots is part of the fun of this game, but I can’t just make these long, 40 minute trips whenever I want to play Pokemon Go–I wish I could, but I just can’t. As inconvenient as all this sounds though, that doesn’t mean I don’t love this game.

Screenshot_2016-07-13-12-11-29

Here’s a screenshot I took in Downtown Oklahoma City today–as you can see, there’s a few gyms and several Pokestops–because it’s walkable, I was also able to wander around and catch several different Pokemon–Pokemon I couldn’t dream of finding by my house, solely because I can walk and wander around here without worrying about getting bit by bugs, and it’s more shady. When visiting an area like this, I feel like I can finally enjoy the game to its fullest potential. This is without a doubt the best mobile game I’ve played–more than that, this game is downright revolutionary. Pokemon fans have been dreaming of a game like this for years–and the fact that a game like this now exists for free is mind blowing. We’re living in this insane cyberpunk future where local news stations make articles about the best Pokemon spots in your city and I’m absolutely blown away. It’s incredible to see so many people enjoy such a wonderful game so actively.

This game is incredible. It’s made me exercise more in the last week than I have in probably my whole life, it’s making all of my childhood dreams come true, and I absolutely love it. I just wish it were more fair for those of us not living in a big city–especially for those of us living in areas where, for whatever reason, going outside for long just isn’t a good idea. I really don’t like being on the road for 40 minutes if I just want to challenge a gym or go to more than one Pokestop. I know going out and exploring is part of the fun of this game, but you gotta’ realize that we don’t all live in walkable areas and gas costs money.

Zero Time Dilemma: A Spoiler-Free Review

July 6, 2016 Kennedy

This is a spoiler-free review. No Zero Time Dilemma (henceforth ZTD) spoilers, no Virtue’s Last Reward (henceforth VLR), and no 999 spoilers. Read to your heart’s content, but know that this is a trilogy that needs to be played in order: 999, VLR, and then ZTD. DO NOT play ZTD with having first played 999 and then VLR because several very important scenes won’t make sense, and moreover, you’ll spoil 999 and VLR for yourself.

It’s no secret that I’m quite a big fan of the Zero Escape series.

Being the finishing piece in a trilogy of critically acclaimed games, ZTD had very high expectations for its release. Ignoring the Amazon snafu (which thankfully, didn’t affect me) it seems to have been very well received within its first week, and definitely living up to the hype. Like many other fans, I’ve been looking forward to this game since before its release was even confirmed. I had high hopes. Seeing as how I picked it up on a Tuesday and beat it the following Friday, I’d say it didn’t disappoint.

Writing:

Arguably the most important part of a Zero Escape game is its writing. Most notably, it’s unique, almost Bioshock-esque way of strongly yet gracefully breaking the fourth wall—which is stronger than ever in ZTD. The plot, at its base, remains unchanged: Nine people are captured by a mysterious figure going by the name of Zero, who tells them that they must risk their lives and play his game to escape a confined area. Taking place one year after 999, it features the two main protagonists of 999, the two main protagonists of VLR, and 5 new characters. Unlike any other Zero Escape game, , character interactions feel more personal in this game because there are simply more characters who knew each other prior to the events of ZTD. Moreover, they’re the most bold, dynamic group we’ve seen in a Zero Escape game. Watching them interact with each other throughout the course of the game an seeing just how even the smallest things can set them off and how it effects everyone else—very much like a domino effect—is one of the best parts of the game. Moreso than any other Zero Escape game, ZTD truly brings the player into its world with its writing. The only main flaw with the writing is that whereas most of it is so detailed and well-thought out (like these games have been in the past) certain aspects of it (which I won’t mention specifically, but the image will say it all for those of you who have played the game, I’m sure) seemed to be written hastily, as they were never fully explained, and in some aspects, almost seem contradictory to previously established facts and traits of certain characters. Compared to the otherwise stellar writing in the game, it makes it all the more obvious when something wasn’t thought out to the fullest. Fortunately, this only happens a small number of times, but unfortunately, it only makes it all the more obvious and disappointing when it does happen. Although the writing in this game isn’t perfect, and definitely flawed by the aforementioned hasty sections, overall it’s still wonderful: All the questions left behind from 999 and VLR have been answered (albeit, some of them answered poorly, but answered nonetheless.) It’s worth mentioning, however, that this game left behind a few small questions itself. Not a ton of questions, but enough, I think, to warrant making an epilogue.

This just in: Local Man Ruins Everything via koizumiappreciation.tumblr.com

Gameplay:

The gameplay of ZTD consists of 3 major things: Shifting from fragment to fragment, puzzles, and decision games. Without any kind of context, the player is thrown into a story that, rather than being linear, is scattered into fragments. These fragments are bits of the story through the perspective of different groups of characters. You play as the different groups at different times, making different decisions that will affect other fragments. When it comes times to make choices, the story will branch based on what you choose, though you will return later to see what would happen had you done something else. When you switch to a new fragment, it’s referred to as “shifting” and there are characters who become aware of it, eventually, which is one of the major factors that the plot revolves around. Ultimately, you’ll be exploring every possible fragment and seeing every possible outcome and using your knowledge of the story to lead you to one true ending. Through this, you get to see the story unfold in a way unlike any other game. Additionally, there is a flowchart to help you keep track of the chronological order of everything.

via TechRaptor

Secondly, there are the puzzles. This is wherein the most gameplay resides. Throughout the game, you’ll be trapped in 13 different rooms and, through a series of puzzles and use of just about anything you can fin in the room, must escape. Additionally, many times the rooms will contain something that’s relevant to the plot, as well, so it’s not like you can just escape from a room and be done with it. What you find in that room remains relevant. Just as its the nature of a Zero Escape game to have these puzzles, though, it’s also in their nature to be quite… obtuse. ZTD is very interesting in this regard because there are many escape puzzles in this game which are, for a Zero Escape game (which are already known to be pretty tricky unless you’re using a guide or a walkthrough) pretty easy. These games make it no secret that they want you to use your brain—whether its in the scientifically-inclined writing or the gameplay. Despite that, however, most of the puzzles in this game didn’t feel as challenging as they were in the previous entries. On the other hand, the rooms that were difficult were obscenely difficult. There’s very little in-between, making it really hard to say whether this game is an easy or hard one overall—especially considering that you can do these rooms in any order you want because of the non-linear nature of this game.

via usgamer

Finally, there’s the decisions. Zero has gathered and trapped our nine protagonists to play the Decision Game. Essentially, what that means is, he reveals to them that to escape they need 6 X-Passes. Every time someone dies, an X-Pass is revealed—essentially meaning that to escape, 6 people must die. To add to the suspense, he constantly puts the characters in very difficult situations and puts them into (usually) life-threatning decisions: The Decision Game. You, the player, will be the one making the decision. As mentioned before, the point of the game is to see every possible outcome, so eventually, you will choose every possible answer to every possible dilemma. Rather than taking away from the situational drama, however, it adds to it. The point of the game is to use knowledge that you learned from shifting between fragments—even if it’s something that the characters you’re playing as don’t know. It is explained in-game how it’s possible for them to have this knowledge, but this is a spoiler-free review. One of the most satisfying parts of the game is learning new knowledge that’ll affect a decision that you might not have been able to make, or revealing a new answer that’ll take you deeper into the rich story of ZTD.

via punkandlizard

Despite all this, it’s worth noting that you will definitely be spending more time in this game watching cutscenes than not. Having such good writing and a riveting plot, I don’t think it’s much of an issue, but if you don’t like games where you watch more than you play—even if there’s still definite gameplay—then you probably won’t like just ZTD, but the Zero Escape trilogy as a whole because all 3 games are like this.

Art/Graphics:

Although the 2D art looks superb—especially next to the art of the previous entries in the games—and the sprites look remarkably better than they did in previous games, the visuals in this game aren’t without sin. Particularly in characters with long hair there are several instances of slight clipping, and mouths almost never sync up to what the characters are saying. Some might attribute that to the fact that this is a Japanese game and that it’s designed for the Japanese voice actors. I find that strange, however, seeing as how Zero Escape is remarkably more successful in the West. Moreover, the English version was released before the Japanese. Combined with the stiff animations, it’s easy to see why several fans were disappointed. Regardless, although noticeable, these aren’t major issues that are so distracting that they detract from the game over all.

via GamersAssaultWeekly

Verdict:

Although slightly marred by slipshod graphics and a few dashes of hasty writing, ZTD is the finest entry in the Zero Escape trilogy. It’s been a very long time since a game has put me on an emotional roller coaster as extreme in the one in ZTD. Worth every penny of its $40 price. A must-play for any Zero Escape fan, fans of puzzle games, fans of science fiction, or anyone looking for a few new handheld games to play.

via wegotthiscovered

The Modern Horror Genre: Bootleg Mobile and Flash Games

June 26, 2016 Kennedy

If you would’ve asked someone 5 years ago about the scariest game they knew of, they’d probably tell you something like Silent Hill, Resident Evil, Fatal Frame, or something else that fits in the traditional horror genre. But today? There’s nothing that terrifies me more than the sheer knowledge that games like Elsa Bone Repair, Ana Bathroom Cleanup, and Minion Pregnancy exist right here right now. To me, there’s no more perplexing idea than the idea that someone–more than likely a small group of people, actually–had to sit down and make these games and think that they looked more than fine for the gaming market–that they’d actually fool people into thinking they’re legit. Moreover, seeing some of the more tame ones–usually Naruto or Pokemon related–on Facebook and Tumblr have become a pretty common sight. Is there no quality control anymore? Have we as a human species in our eternal quest for good games forgotten one of gaming’s most core teachings: If it says it’s a Pokemon game but there’s a picture of Agumon then it’s not really a Pokemon game? Hilarious as these games are though, why do these games keep getting made? And who’s making them? They’re not actually making money…right? As the admin of a certain Facebook and Twitter page devoted to posting hilariously bad bootlegs, I think about these questions all the time. And so, just for you wonderful readers, I’ve taken some time out of my busy schedule of watching high quality cinema, reading the finest literature, and auditioning for the Sense of Right Alliance to do some research on the phenomenon that is bootleg mobile and flash games.

A sight many of us are all too used to

Why do these games keep getting made?

Despite the popular theory that these games are made as a medical tool to keep people awake and alert (after all, after just seeing the thumbnail for this article, you’re probably already feeling like you’ll never sleep again with all the nightmares you’ll be having about it, right?), these games are made for the same reason any bootleg gets made: To attempt to trick people into thinking that your product is legit and buying it. With more and more kids being on the mobile game market it becomes a prime spot to try to sell bootleg games. Kids are gullible–they’re much more likely to believe that Anna Give Birth A Baby is an actual game that Disney actually published. After all, it looks like it’s Anna and it says it’s Anna, right? So it must be Anna and therefore the real deal.

You really think someone would do that? Just go on the App Store and tell lies?

Who’s making them?

In my experience, usually China. Although most of the bootlegs I run into on my social media pages tend to be from Brazil, the games tend to be made in China more often than not. China has the largest online gaming market and some of the laxest copyright laws–so bootlegging mobile and flash games is a no-brainer.

Sometimes that’s taken very literally

They’re not actually making money…right?

Not only are kids gullible, but they have their parent’s money. After all, I’m sure that most parents would rather buy a cheap mobile game–probably even a handful of them–rather than a triple A console title for their kid: It’s more economical, plain and simple. And that’s just the mobile games–bootleg flash games are almost always completely free. As we can see clearly by the fact that these games still being made at such a fast rate, the devs find them profitable enough to keep making these games as quick as they are. Are they making substantial amounts of money though? It’s impossible to track the exact numbers, but here’s what I can say: Many of these games are removed quickly–even quicker if sellers notice something’s off. Even though these games are certainly making a few dollars, it’s hard to imagine that most of them are making more than just that: A few dollars. If they start making too much money they’re quicker to draw the unwanted gaze of lawyers and copyright holders. Although, some might be selling for the complete opposite reason that the devs were hoping for–I mean, who wouldn’t want Simulator Doctor Freddy Joke on their phone just to laugh at it–but hey, whatever pays the bills, right?

I wonder if they have to play them, too?

RIGHT?

Do these games actually work? What are they like?

In my experience, they either don’t work or they basically have no game play. Granted I haven’t played every bootleg game out there, but out of what I’ve played, it’s usually one of the two aforementioned categories–especially just not having any game play. They usually end up being drag-and-drop games, very basic memory games, or endless runners sometimes with very basic platforming–things that a toddler could do. But to be fair, I imagine toddlers must surely (read: hopefully) make up a large part of these game’s audience. I’m assuming these games are made so basically to speed up productivity? …Or because most of these developers don’t seem to have the skills to make games better than this. That could be it, too.

What do you honestly expect from devs who make games like this?

How do these games make it on the mobile market in the first place?

In the same way that modern and abstract art barged their way into art history and demanded to be put on the same pedestals as Da Vinci and Raphael despite a very obvious decline in technical quality, such is the advent of bootleg mobile and flash games. Quality control on the mobile market just isn’t what it used to be. Put simply (very simply) although there are protective algorithms in place, many times Apple and Microsoft won’t do an extensive legal check on their games. Rather, they wait for the copyright holders to approach them about a legal problem if one arises. With so many of these bootleg games being made so fast, it’s easy to imagine how they can constantly slip through the searches of what I can only imagine are poor, disappointed interns whose job it is to look for these apps all day.

I wonder if they have to play them, too?

So why are most of these bootleg games Frozen or Minion-related?

Same reason most of the bootleg toys from the late 90’s and early 2000’s were Sailor Moon and Pokemon-related: Those are two really good and incredibly popular IPs right now. It’s clickbait.

And why are a lot of them ear doctor, dentist, foot doctor, and/or brain surgery games?

I honestly have no idea–my best and most scientifically probable guess is that in some kind of alternate dimension we as gamers somehow sinned against ear doctors, dentists, foot docors, and/or brain surgeons really badly and now we’re paying the price.

Are these games really that terrifying?

12576308_179645025724969_1508940688_n

DentistTrain

Absolutely and without question, yes. It is my firmest held belief that by simply existing in the same world at the same time as these bootleg games we’re allowing ourselves as the human species to descend deeper and deeper into the fiery abyss of copyright hell. These games are why the apocalypse will rain down on us by the wrath (read: lawyers) of the four horsemen: Dreamworks, Nintendo, Spongebob, and the merciless reaper of bootleg souls, Disney.

2016 in Gaming: What I’m Still Excited For

June 20, 2016 Kennedy

Now that we’re halfway done with the year and E3 has passed, now is a great time to look around us and start thinking about what the best games of the year have been so far, what we’re still excited for, and what the biggest disappointments have been so far. It’s been a very hectic year for gaming: A new generation of Pokemon is on the way, the Wii U’s impending end when we find out more about the NX, new versions of the PS4 and X-Box One on the way, Kojima returning to the game industry, the return of Star Fox and Resident Evil, a 5^th Street Fighter game, the upcoming 25^th Anniversary Party of Sonic the Hedgehog, 4K gaming, and of course the beginning of The Lifecast to name a few of the most notable events.

We’ve already had some great games come out this year: So what’s left to be excited for? E3 gave us some great titles to be excited for but most of them won’t be out until next year. There’s still plenty of games coming out this year to be excited about, however. If you’ve been wanting some good titles coming out this year to keep your eye on, let me recommend you these 10 games coming out this year that I’m excited for (in no particular order.)

Zero Time Dilemma

This one comes out on the 28^th of this month, so fortunately, the wait won’t be much longer! It’s going to be the third and final installment of my favorite handheld series Zero Escape, home of 999 and Virtue’s Last Reward. The Zero Escape franchise is all about puzzles, the emphasis of choices, and quantum physics. In each game, you play as someone who’s been trapped in a confined space with 8 other people who’ve all been kidnapped by a mysterious man called Zero. You try to escape while solving the mysteries of why you’re there, who Zero is, why he kidnapped you, and so on. Each game emphasizes beating the game multiple times to get through multiple endings and fully understanding the consequences of your choices. The trailers make Zero Time Dilemma out to be much more dramatic than any of the other games, not to mention more visually stunning! A caveat, however, is that these games shouldn’t be played out of order: If this game looks interesting to you, yes, you need to play 999 and Virtue’s Last Reward first. The developer’s have already stated that answering questions that have been unanswered since 999 will be addressed, so you run the risk of both not fully understanding what’s going on and its significance, and spoiling 999 and Virtue’s Last Reward.

Tokyo Mirage Sessions:

This one comes out on the 24^th of this month for Wii U. Like Zero Time Dilemma, the wait won’t be much longer. I like Fire Emblem. I like Persona. So I should probably like a game that’s basically Persona with Fire Emblem characters, right? Although I never got the chance to actually play it, I did watch other people play the demo at PAX East this year. It doesn’t look great, but it does look like something that I would try playing if I only had a Wii U.

Yiik

This game was the biggest hidden gem of PAX East: It’s an Earthbound-inspired post-modern RPG set in a hipster’s paradise in the 90’s and in case you haven’t heard: I absolutely love Earthbound. Gameplay is turn based and like Earthbound, uses real-world objects and even instruments–many of which need specific button-pressing to use, and it’s quite fun. The graphics are very stylized and charming, the developers seem to really understand the kind of world they want the game to be set in, and the story seems intriguing: You and your friends are looking for a girl who got sucked up by something otherworldly and disappeared. To quote the game’s website, “This is a story about what happens when you look for someone who can’t be found “ The game’s site also states that the game will have a 25 hour story, 6 unique dungeons, and an expansive soundtrack featuring songs by Toby Fox, Andrew Allanson, Hiroki Kikuta, and Calum Bowen amongst others. This game is supposed to be out sometime this summer, though there’s no confirmed date nor month. Once it’s out, it’ll be on Steam, PS4, PSVita, and Wii U.

No Man’s Sky

A gorgeous, Isaac Asimov-inspired adventure game set to come out August 9^th for Steam and PS4, No Man’s Sky has done an incredible job generating hype. The game’s site calls it a “truly open universe” and emphasizes that this is a game about exploring a beautiful, well-built universe with more than 18 quintillion planets to explore. Needless to say, if this game lives up to these claims, this could be the biggest exploration game (second to Minecraft, if you want to get technical) to date.

Pokemon Sun & Moon

Duh

We Happy Few

I probably shouldn’t want this game after PAX East: I waited 90 minutes in their line to play the demo, finally got to the front, where I was only able to play for less than 5 minutes: They bragged about it being a rogue-like game, and that for the purposes of the demo, after you die it should give you the option to continue. I died, but was never taken to the continue screen and was kicked off because they had to keep the line moving. Needless to say, I was pretty bitter. I still am, although I did comment about it on their facebook page where one of the devs did apologize. That said, it’s really hard for me to talk about the gameplay because, well, I didn’t play it for hardly 5 minutes. What I can tell you is this, though: What got me the most interested in this game is the fact that the devs are saying it’s very Bioshock-inspired and Bioshock is my favorite game of all time. Mix that with some beautiful graphics, a very intriguing plot about drug addictions, and a very well-built world and you have a recipe for getting my attention. There are two things keeping me very hesitant, however: First of all, Compulsion Game’s track record.

(via CompulsionGames.com)

The only other game they’ve made is a platformer called Contrast and in theory, it sounded like a great, game, too! Bioshock inspired, beautiful graphics, intriguing story, and platforming where you use your shadow! That sounds awesome, right? I thought so and bought it on a Steam sale, but a very short duration, a story that never really got much more fleshed out than its description, and an overwhelming abundance of bugs and glitches ruined this game. Had it only been longer, had its story fully-realized, and had been well-patched, Contrast could’ve been a fantastic game. Needless to say, there’s nothing indicating We Happy Few won’t be the same way—but there’s also nothing indicating that it will be. Regardless, the bottom line is, I’m worried We Happy Few could fall into the same situation as Contrast.

Secondly, We Happy Few doesn’t seem to know what kind of a game it wants to be. The developers told me it was a Bioshock-inspired rogue-like survival game with first-person shooter, mystery, survival, and puzzle elements—that seems like an awful lot to be going on at once if you ask me. It’s possible it could pull it off, but the sheer amount of genres it seems to be trying to pull off makes me worried that they’ll try to do too much in too little time.

Despite all this, the trailer looks interesting and I haven’t heard bad things about the demo and from the 5 minutes I played of it, it seemed okay. I do love Bioshock, and so do these developers—so perhaps I’ll find solace in the Bioshock-inspired elements of the game. I guess I’ll find out when I’m finally able to play it—it’s supposed to come out for Steam and X-Box One sometime this year, and early access starts July 26^th.

Mighty No. 9

(via MightyNo9.com)

Perhaps I shouldn’t say I’m as excited about this game as much as I am just curious. I’m sure by now most, if not all, of us are at least familiar with the story of Might No. 9, but just in case, let me briefly summarize: This game is meant to be a spiritual successor to the Megaman games and is being developed by Keiji Inafune—the man who made Megaman—with no involvement from Capcom whatsoever. It had overwhelming success on Kickstarter and everyone was super excited about this game. Originally, it was supposed to come out April 2015, but needless to say, that didn’t happen. Delay after delay, secretive development process, slipshod graphics, and arguably the most cringy trailer in gaming history killed most of the hype that this game had generated.

Its latest release date is June 21^st –tomorrow. Needless to say, it’s a little too late to delay it now, so I think this release date is finally the one. I guess we’ll finally find out if it will live up to its initial hype or if everyone was right to stop caring about this game.

Final Fantasy XV

Like Mighty No. 9, perhaps “excited” isn’t as good a word to describe how I feel about it as much as “curious.” This game’s legendary 10-year development has fans wondering if it will have been worth the wait, and frankly, I’m not entirely sure. First of all, there’s the matter of the story. Originally this game was supposed to be Final Fantasy Versus XIII—a spinoff game for Final Fantasy XIII. Two sequels that somehow managed to be worse than Final Fantasy XIII later, however, I guess Square Enix started to realize how unnecessary another Final Fanasy XIII game would be. It makes me very curious about how they handled this change and if we’ll still see elements of XIII in the game. The combat demo we saw didn’t look particularly exciting, nor did it remind me much of a Final Fantasy game, to be honest. I really wish they’d return to the turn-based system from Final Fantasy X, but I realize that’s a very specific thing to nitpick at. It does look like a very expansive game though, and of course, I’m really curious to see how they’ll incorporate VR. This definitely won’t be a game that I preorder nor get on day 1, but it’s definitely a game I’ll be keeping a close eye on. It comes out September 30^th on PS4 and X-Box One.

Star Ocean 5

I’ll be honest: I’ve never played a Star Ocean game. I’ve been interested in the Star Ocean series for a while now however, and after watching the demo at PAX East, I’m even more interested in it. Beautiful graphics, fun combat, and of course knowing that Square Enix is behind it, all make his game look very promising. This one will be out later this month on the 28^th for PS4.

Phoenix Wright: Ace Attorney – Spirit of Justice

There’s not a large difference between how much I love Ace Attorney versus my love of Zero Escape. Ace Attorney is a hilarious, fun, and incredibly clever series following defense attorney, Pheonix Wright, who always knows that his clients are innocent and will do anything to unveil the truth! I’ve been a huge fan of the Ace Attorney series since the release of Apollo Justice, so I’m more than welcoming for a new game in the franchise. There are 2 things that make this game really stand out from other titles that have fans the most excited. First of all, the setting:

We’re no longer in America/Japan (depending on what language you get the game in)—we’re in a remote, very traditional Japanese island with no formal court system. Instead, they rely on spirits revealing the truth. How is this going to play into the plot? What new gameplay mechanics will this give us? And of course, most importantly…

(via usgamer.net)

Pheonix’s beloved sidekick Maya Fey is finally back after a long absence that was never explained nor addressed until now. Not only are fans happy to see she’s back, but we’re also excited to find out what she’s been doing and why it hasn’t been talked about until now.

Spirit of Justice will be a digital-only release for the 3DS in September.

5 Games I’d Love to see Announced at E3 even though I Know I Won’t (or 5 Games that Deserve Sequels)

June 12, 2016 Kennedy

With E3 starting later today, everyone’s getting out their bingo charts and praying to the video game gods that their dream-game is finally confirmed or that they’ll see new footage of that super-cool game that was announced a while ago. (Including myself. C’mon, Mother 3!) Last year we received several amazing, unlikely announcements for such dream-games finally confirmed: Most notably the Final Fantasy VII Remake, Kingdom Hearts 3, and Shenmue 3. With those finally confirmed, gamers are finding more games to fantasize about announcements for, and I’m of no exception. Here are 5 games that I’d absolutely adore to see confirmed at E3, but as I’ll explain, I’m very aware how very unlikely it is. (Alternatively, think of this as a list of games that I think deserve sequels.)

The World Ends With You 2

Image courtesy of PopMatters

The World Ends With You is a very interesting case. It sold well and is generally considered to be one of the best games on the Nintendo DS. Without spoiling it, I’ll also say that the ending is very heavy sequel-bait because so much of the story is left unexplained or unclear. Moreover, it’s a Square Enix game that got to cross over with Kingdom Hearts 3D. You’d think it’s a no-brainer for a sequel, and yet here we are 9 years later and still no sequel. The closest we’ve had to a sequel (other than cameos for the main characters in Kingdom Hearts 3D) is an iOS and Android release of the game. Especially if the TWEWY characters are going to be important to the rest of the Kingdom Hearts story, there’s no reason to not make a sequel—especially since Square Enix seems to be really pushing the new Kingdom Hearts games, which is a blessing and a curse. The reason I don’t see this happening anytime soon is because Square Enix seems to really have its hands full between Kingdom Hearts and Final Fantasy VII. I’d love to be proved wrong and to hear this announced, but I certainly won’t get my hopes up until at least one of those projects are complete.

Silent Hills

Image courtesy of express.co.uk

There’s no suffering like the suffering of Silent Hill fans in recent years. It’s been a long time since Silent Hill has had a good game released, but Silent Hills (also known as P.T.) was ready to change that: Silent Hills was ready to bring life back into this dying cash cow of a franchise. Fans and new players alike were hopeful: I mean, why wouldn’t they be? Guillermo del Toro and Hideo Kojima were going to be working on it. There in lied the problem, though. Months later, Hideo Kojima left Konami, and Silent Hills left with him a cancelled game with no word on what was going to happen to it. To add insult to injury it was removed from the PlayStation store as well. In its spirit, an indie game called Allison Road hoped to fill the void that Silent Hills left behind, but only last week was cancelled. As far as we know, Silent Hills, despite its large following, is a dead project right now. Of the games on this list, I’ll admit that this one, while still unlikely in the near future, is still the most probable game of being announced on this list because it’s so recent and still so talked about—even by developers. The largest problem here though is Konami, who doesn’t seem very willing to want to reboot Silent Hill at all—let alone the right way.

Image courtesy of YouTube and Konami not knowing how to reboot a well-loved series. Metal Gear fans learned this hard lesson recently, too.

Final Fantasy VI Remake

Image courtesy of Neoseeker

Now that VII has been confirmed for getting a remake, why not make the next fan favorite of the older Final Fantasy games? I played this game for the first time last year, and while I was thoroughly impressed enough to call it my second favorite Final Fantasy game, there was one thing I couldn’t stop thinking while I was playing it: This game would be absolutely astonishing in 3D. The environments, the characters, the combat, it’s all begging to see the light of beautiful HD graphics. I want to see Kefka’s face twist and writhe as he laughs maniacally, I want to see a more animated transformation for Terra, I want to see the opera scene as cinematically as possible—and I know I’m not the only one, as Final Fantasy VI is generally considered to be arguably the best 2D Final Fantasy game, as well as one of the best Final Fantasy games of all time. Kefka, in particular, is still usually called the best Final Fantasy villain since he’s the only villain to have actually succeeded in his evil plans. If Square Enix took a temporary break from making new Final Fantasy games after XV is complete to remake some of the older Final Fantasy games as they are with VII, I’d be perfectly fine with that.

A New .hack// Series (that will get an English release)

Image courtesy of lukalovesgames.blogspot.com

I will proclaim my overwhelming love of .hack until I die: The .hack games, particularly the G.U. Trilogy, are some of the finest JRPGs to have graced gamers. Despite this, we don’t really see much love for them here in the West. The last time a .hack game was released here were the G.U. games—not to say Japan got much more, they got .hack//Link (basically a spin-off game on the PSP, nothing horrendously important), a crossover campaign with a mobile Sword Art Online game, and a fighting game that wasn’t entirely well-received. Kite, BlackRose,and Haseo are all playable characters in the Project X Zone games, and that’s as close as the States have got in the last few years. Especially with G.U. Celebrating its 10^th birthday this year, I think it’s about time CyberConnect2 or Bandai Namco or someone—anyone—announced a new .hack series. Especially with the implications we received in the .hack//Quantum anime and the End of the World movie that came out a few years ago, there’s plenty of ways to write a new storyline for a new, main series set of .hack games to be released both in English and in Japanese. At the very least, I’ll settle for an HD edition of either .hack series—something to make them more accessible, not to mention cheaper. Please, it’s been so long, we’re starving for new .hack content.

Portal 3/Half Life 3

Image courtesy of halflife3confirmed.tumblr.com/

Do I honestly need to explain these?

The Most Expensive Games I Own

June 9, 2016 Kennedy

Being a huge fan of the Persona franchise, I got really excited a few days ago when Atlus gave us a more solid American release date for Persona 5 and opened preorders for the special edition called the Take Your Heart edition. Alone, Persona 5 will cost $60 on PS4, whereas the Take Your Heart Edition is $90. Given all the merchandise it comes with and how much I love Persona, an extra $30 seems like a good price to me. That’s why I decided to preorder the Take Your Heart edition. Telling a good friend of mine who’s not into gaming that I was planning on spending $90 on a video game (even if it comes with a lot of merchandise) was interesting though: She couldn’t seem to fathom why anyone would spend more than $30, let alone $90 on a video game. And that got me thinking: What’s the most expensive game I own?

I immediately thought of .hack//Quarantine. I absolutely love the .hack// games, and at Anime Boston this past year, I finally bought a copy for $150. That’s about the average price it goes for because it was released in such small quantities. Given how great its condition was, I’d say it was actually a really good price. Ones in condition this good that still have the DVD, manual, etc. generally go for closer to $200. In hindsight, what happened was like something out of a movie:

The face of bad decisions

It was Sunday, the last day of the con. I was with a group of friends (the same group of friends who write articles for this site, in fact) and the dealer’s room was only going to be open for another 15 minutes so we were doing a last minute sweep. There was a wheel-spinning game set up, and some of my friends wanted to try it. To do so, however, they had to wait in a line, and I noticed one of my favorite local game stores had a booth next door. It was taking my friends a bit longer than I thought to wait in line, so to pass the time, I decided to check out the gaming booth. Dead center of their booth when I got there was none other than .hack//Quarantine: Perhaps not quite my holy grail of rare games (that would be Earthbound) but probably the next best thing—the holy reliable water bottle that you bring everyday to school and/or work. I’d been saving up money for a year to finally buy this game at PAX a few months later, but here it was right in front of me now. Looking at me. Taunting me. I knew I wanted it, and the owners of the booth knew I wanted it, too.

“There was someone else eyeing it down earlier who said he was gonna’ come back for it once the dealer’s room started to close down,” one of the employees told me, “But he was being really rude and annoying so I really don’t want him to have it. If you wanted to buy it now, I’d let you.” The dealer’s room was closing in less than 10 minutes at this point: I had to make a decision and I had to make it fast, and in a fit of passion for wanting to complete my .hack// collection, I responded to her with the utmost joy and the utmost knowledge that I’d heavily regret what I was doing the minute it came time to go grocery shopping, “Fuck me up, fam.” And so for a mere $150 I took home .hack//Quarantine with less than 5 minutes to spare. To be honest, knowing that I own this game that I’ve wanted so much for so many years is still a little surreal.

In terms of money, .hack//Quarantine is easily the most expensive game I own. (The second and third most being .hack//G.U. Games, ironically enough.) But there are other ways in which a game can be expensive. Dictionary.com defines “expensive” as, “entailing great expense; very high-priced; costly.” Nothing is said about money. So what other games have been expensive for me? And how? What did they cost me? For my first example I’m going to take you to the very beginning of my gaming “career.”

My family got our first gaming console in 2001: The PS2. My Godparents got it for us for Christmas with a game called Okage Shadow King. I’d never touched a video game before this one, and playing it was one of the hardest things ever: A turn-based JRPG doesn’t make a good first video game for a 7-year-old like myself at the time. It was confusing. It was hard. Nothing made sense to me. I couldn’t even read some of the words—let alone understand them. I constantly asked my dad—who, at the time, had recently got his PhD—to help me and not even he knew what to do. It was a sign that this game had to go.

Image courtesy of Wikipedia

Being so inexperienced with video games (and a dumb 7-year-old) I started to think that maybe all video games were this way. Maybe video games were just much less fun than I thought they’d be. Maybe it’s just not my thing. When we finally got a few new games for the PS2—all of which were racing and BMX games—I was a little hesitant to play them because I thought they’d be like Okage again. After watching my dad play and have fun with it a few times though, I began to realize that these games were different: These games were fun.

Regardless, I got so angry with Okage Shadow King that it almost ruined video games as a whole for me. I was ready (or as ready as someone as young as I was can be) to never play video games again if it was going to be that irritating. (And look at me now: JRPGs are my favorite genre. If that’s not irony I don’t know what is.) Okage Shadow King was expensive in the sense that it almost cost me my love of gaming—which I would ultimately discover months later once we got Jak & Daxter.

Here’s another one: Time. Which game has been the most expensive in consuming the precious hours of my life? In one save file, Pokemon Ruby. It was the first GameBoy game that I had and more importantly, the first game I had that was mine. Not a game that I shared with my siblings and my dad on the PS2 but just mine. Like any other child in the early 2000’s, Pokemon consumed my life. Starting the video games only made it more apparent. I found it really hard to put it down—it was (it still is) an incredible game. And the graphics were so nice. And the new Pokemon were so great. I caught every Pokemon in the dex fair and square with no cheats whatsoever except for Feebas and Milotic which still haunt me to this day. Regardless, as of right now, my save file in Pokemon Ruby has 363 hours into it. That’s the longest continuous save file I have.

Image courtesy of expertshop

Overall, I’ve probably put more time into Jak & Daxter, though. As I just mentioned, it was the game that got me into gaming. After we got it, my sister and I would do nothing but play it all day every day for months. We’d restart it, do all of our favorites tasks over, and we’d do this day in and day out starting more save files than we could count because we got through them so quickly. To this day, Jak & Daxter still remains a permanent fixture in my PS2 library which I still replay every so often. I can still 100% it no problem—in fact, these days I can beat it faster than I ever could’ve before. There’s no way for me to know how much time I’ve put into this game total, but seeing as how I’ve been playing it continuously for more than 10 years, I’m pretty confident that I’ve put more time into it overall than in my Pokemon Ruby save file.

Here’s one final (and more recent) example of another way a game has been expensive for me: There’s a game that cost me my Wii. Here’s the story: I’ve been a huge fan of One Piece for 11 years now. Back in my early One Piece fan days, its North American rights were owned by 4Kids. Some will recall it was a mess of censorship. When they got the rights to the show, they had no idea how dark it would eventually get. They omitted the entire Whiskey Peak arc, which made it really hard for them to transition into Alabasta, which was also heavily censored. It was a mess of continuity errors, contradictions, and of course, rubber knives.

This only made it a bigger deal when Funimation took the rights to One Piece out of 4Kids dying hands in 2007. Fans everywhere rejoiced—myself included. Around the same time they started showing trailers for the dub, they announced that they were bringing One Piece: Unlimited Adventure for the Wii to the United States to celebrate. This would be not only the first One Piece game to come out in the U.S. in 2 years, but honestly, the first really good One Piece to come out in the United States in general. (Although admittedly, I did sink a lot of time into Grand Adventure.) This would be the first real exposure to the Funimation dub most of us would have since the DVDs were coming out around the same time. This was a huge deal. My sister and I got a Wii for Christmas in 2007 (note: Unlimited Adventure came out January 2008) so I was beyond thrilled. Finally, a One Piece game with good voice acting and more adventure. And you know what? It lived up to the hype. I absolutely love Unlimited Adventure. I played it day in, day out. My sister didn’t really stop me since the only other game we had on it was Wii Sports and by the time I got Unlimited Adventure, we’d already got our time out of it. I got to a point where I wouldn’t even bother taking it out of the Wii when I finished playing it because I knew I’d be back to it soon. Being only a recent Wii-owner, I didn’t realize that was a problem.

Image courtesy of covershut

One day, I believe it would’ve been in March or April of that year, I tried to take the disc out. It wouldn’t come out. Maybe I didn’t push the button hard enough? I kept trying and trying, but the disc wouldn’t come out. I asked my parents for help, but nobody could get the disc out. As I learned the hard way, this was just a thing that happens to Wiis that you forget to remove your game from for more than a few days: They just won’t come out anymore. The ejector stops working. To repair it would cost more than the game itself. To get a new console was out of the question. Unlimited Adventure was stuck in there. Our Wii had just turned into an Unlimited Adventure machine. Being the only One Piece fan in my house, that didn’t sit too well with anybody else—especially my sister who never got a chance to play any good games on the Wii. It’s still there to this day, though I haven’t booted it up in years. It recently came to my attention that because it didn’t sell horribly well, Unlimited Adventure is a semi-rare game, which only makes this more disappointing. Even now, to repair my Wii would cost me more than it would for me to go out and buy a used Wii at most retailers.

After this happened I seemed to notice more and more Wii games I wanted to play: Okami, Muramasa, No More Heroes, Mad World, Punch Out, etc. I still haven’t played any of them on the Wii (though I did get to play the PS2 version of Okami and the PS3 port of No More Heroes.) Muramasa in particular mocks me to this day. All these games that I could never play all because I thought it’d save time leaving Unlimited Adventure in the Wii. Unlimited Adventure cost me my Wii and in turn, the opportunity to play other great games on the Wii. I’m sure I was grounded when this happened, too, if that counts for anything.

My Hopes and Predictions for Pokemon Sun and Moon

June 6, 2016 Kennedy

As I’m sure we all know by now, Nintendo recently released a new trailer for Pokemon Sun and Moon–not only do we now have confirmation that the region is based on Hawaii, but we now also know who our new Professor is, his assistant, the names/types of the new legendaries, and the names of a few new characters. Perhaps the most surprising (in a good way) thing Nintendo announced was the Rotom Pokedex–something we’ve never seen anything even close to in previous Pokemon games. Despite this well of knowledge Nintendo has gifted us, there’s still plenty that we don’t know yet, and won’t know for some time–or at least until after E3 because Nintendo Treehouse said that they’ll be talking about Pokemon after E3. So without further ado, here are my predictions and hopes for Pokemon Sun and Moon:

Hala– the man in the yellow coat

Image courtesy of Daily.Pokecommunity

Although nothing was said about this man in the American trailer, the Japanese trailer states that his name is Hala. Although originally speculated to be the professor of this region (after all, the hala is another kind of tree native to Hawaii) we now know that Kukui is the Professor of this region. It’s also safe to assume that Hala won’t even be his assistant, as we know that will be Lillie’s role (and I’ll talk about what I think about her later.) My guess is that he’ll either be a “secret” (only for a short while) gym leader or a member of the Elite 4–possibly the champion, but I think it’s less likely. In previous Pokemon games, there’s almost always a gym leader or member of the Elite 4 that meets the trainer and helps them a few times before they face each other in battle. If nothing else, I’m sure he’ll be very relevant to the plot somehow–perhaps he knows what the evil team is doing and he tries to stop him? Maybe he has information, maybe even involvement with the legendary Pokemon? I’m guessing he’ll be one of the next few details about the game to be explained at least a little more since everyone else that’s been shown in the trailers has been given a name and a role.

Lillie

Image courtesy of Bulbapedia

There seems to be a big stir about her everywhere–she’s the professor’s assistant, but why are we only now seeing her? Why does she hate battling Pokemon? She looks so sweet–why the stern look on her official art? I predict that she’ll end up being an antagonist of some kind–probably related to whatever evil team this game has. Her profile explicitly states that she hates battling Pokemon and I’m sure that’s going to be crucial to these games. My guess is that this game’s evil team will either follow something close to Team Galactic’s “We’re liberating Pokemon!” idea, or that she’s actually a master Pokemon battler–perhaps to an extreme level that we’ve never seen in Pokemon. If that were the case, if she’s not on our trainer’s side (I highly doubt she’s on our side, her facade seems to innocent) she might be involved in extreme levels of Pokemon battling, to the point where she battles them to the death. Perhaps that’s what the evil team in this game is involved in, as well.

HMs as Key Items

Image courtesy of aminoapps

This one is all hope rather than prediction. Having HMs be key items rather than moves is something Pokemon fans have been wanting for a while. For anyone unfamiliar, let’s take Cut for instance: Not a particularly useful move in battle, right? But you need something with cut on it in case you run into a tree. What if instead of cut taking down the tree however, you’re given a pair of gardening shears–a key item–that will cut the tree down? And if you still want one of your Pokemon to learn cut it can be turned into a TM instead. This eliminates the need for HM slave Pokemon while still giving an option to people who want their Pokemon to learn the moves regardless. It would be incredibly convenient.

Starter Evolution Lines

Image courtesy of gameskinny

Before I go into detail on this one, I’d like to point out that I’m assuming all the “leaks” of their evolutions that we’ve seen thusfar are fake and I’ll continue to think that until we see confirmation, so you won’t hear me talk about any of them. Since that’s out of the way, here’s what I’m guessing is going to happen: Rowlett will retain its Grass/Flying typing throughout its entire line and will shift from looking really cute to more like a Noctowl on steroids in a pile of leaves and branches. Litten will almost certainly pick up a second type in its next evolution–judging purely by its design, it will likely be dark type or ghost type. Phantom cats exist in a fair number of Hawaiian folktales so I’m leaning towards fire/ghost. If that’s the case, it’s next few evolutions will take a more ghostly appearance until it eventually looks like one of the phantom cats. Popplio is harder to to make such a confident guess for since its design could go in many different directions at this point and its inspiration is from sea lions. I’m leaning toward that it will be water/fairy for two reasons though: 1. Fairy types being so new and well-liked, it would make sense for Popplio to eventually become half fairy for the sake of adding more fairy types to the dex. 2. Fairy-type Pokemon tend to be more playful, happy, and cute in the traditional sense–all of which Popplio is. Again though, it has a much simper and, for the sake of guessing evolutions, vague design so it could just as easily go in any other direction. After all, how many of us predicted Piplup to eventually become half-steel?

Mega Evolutions

Image courtesy of PokemonRubySapphire

We’ve seen the mega bracelets on the trainers in this game–mega evolutions are here to stay. As for what Pokemon we’ll see new megas for, I’m guessing we’ll see at least one of the following: Rotom (because of the Pokedex), Dragonite, Flygon, Lunatone, Solrock, Kingdra (because there are seahorses in Hawaii–I’ll admit, my reason for thinking this will happen is pretty flimsy, but I’m holding out hope.), Solgaleo, Lunala, Magmortar (because of Hawaii being famous for its volcanoes), Electevire (because if Magmortar gets a mega they’d give one to Electevire, too) the final evolutions of the starters, Milotic (honestly, I just think its design makes it look like it’s begging to megaevolve. Besides, given the setting, I’m sure that there’s gonna’ be at least 2 or 3 water Pokemon getting new megas since water Pokemon will certainly be particularly important in this game) Corsola, Tentacruel, Raichu. As for ones I simply just hope get mega evolutions but it seems more unlikely for them, the main one I’d like to see is megas for even one or two of the Eeveelutions just because they all look like they could evolve again–besides, Eevee being the evolution Pokemon, it would make sense. In fact, I wouldn’t mind if only Eevee received a mega evolution for that same reason. Some other unlikely hopes I have for mega evolutions are Dunsparce, Stunfisk, Arcanine, Hitmonlee, Hitmontop, Hitmonchan, Torkoal, Delibird, Sigilyph, and Hawlucha. All of them just look like they’re just waiting to evolve–besides, I’d love to see them all become more competitively viable choices.

Stardew Valley: A Better Harvest Moon Experience than Harvest Moon

May 29, 2016 Kennedy

The first game I had on the Gameboy Advance was Pokemon Ruby. For many months, it was also the only game I had on the Gameboy Advance. After I had thrown about 300 hours of my life into it I started to think, “Wow. Maybe I should look into getting another game or 2 for this.” Lucky for me, my best friend at the time had been playing this “Cool new game!” called Harvest Moon: More Friends in Mineral Town. Being only 11-years-old at the time, I thought it sounded stupid and I couldn’t seem to wrap my head around how she was having so much fun with it. That is, until I played it myself. It had a very addictive quality to it—there was so much to do and you wanted to do it all. I couldn’t put it down and at the time I never quite pieced together what about it made it so charming. That is, until I played Stardew Valley.

Stardew Valley is a country-life RPG/farming simulator game made by ConcernedApe (Eric Barone) back in February of this year. More than being simply Harvest Moon inspired, Barone has said in multiple interviews that the original idea for Stardew Valley was to be something like his perfect Harvest Moon game.

The inspiration taken from Harvest Moon is clear right from the start of the game, as it shares a similar premise to most in the franchise: You’re growing bored of modern life and you’ve suddenly inherited a farm. Now go be a farmer. The originality this game has it also clear from the beginning of the game, however, as it does something that no other Harvest Moon game does despite many fans wishing it: It allows you to customize your character entirely, which is a very nice touch and only deepens the feeling of this game being so personal.

Image Source: Game Informer

Perhaps the best thing about Stardew Valley is the freedom this game allows you. Although the game encourages you to be a farmer (by, well, giving you a farm) there are plenty of other options available to the player: Mining, fishing, forging, and adventuring, for instance. Right off the bat, this game sets you loose in a world with dozens of new things to try and in any order and for however long you please. This freedom ensures that no two players will play this game exactly in the same way and adds a layer of interest to this game and discussions on it. There’s no linearity in this game whatsoever: You do what you want when you want. As for gameplay for these different activities, it’s kept very simple and minimal—as it should be in a relaxing game like this.

If the sense of freedom in Stardew Valley isn’t the best part of the game, then the characters are. The idea of Stardew Valley is, “You’ve moved into a farm in a small town. Make a living.” so naturally, making friends comes with that—you can even get married in this game. (And for bonus points, all the marriage candidates—both men and women—are available to you regardless of your gender) All the characters are written to be both incredibly unique and incredibly realistic. The more you talk to them and give them gifts, the friendlier they’ll be toward you (as measured by the hearts in the game’s menu) and their dialogue reflects that. All the characters have different events that can be triggered when they like you enough, as well.

The events are easily the next biggest highlight of this game—every character has very unique events, all which help you learn a lot more about the character. At the same time, all of the events seem pretty realistic, and like something you’d do with a friend in real life. Non-marriage candidates don’t have as many events as the potential marriage candidates, in fact some characters only have one event, leaving much to be desired in their character development. As characters grow to like you their dialogue will change to reflect this much more friendly atmosphere you now share with them, but that still only leaves the player starving for more time with them and to know more about them.

Image Source: Stardew Valley wiki

The only major problem in the character writing in this game comes from after you get married. After you get married, you can no longer get the other marriage candidates any farther than 8 (out of a possible 10) hearts full in the menu. (If it’s not already obvious, 10 meaning that you maxed them out.) Not only this, but if you want to give any of them gifts for any reason, including their birthday, your spouse—regardless of who it is, what day it is, of anything—will get angry.

Most of this games problems lie around the same area. As mentioned before, there’s a lot to do in Stardew Valley and you’re free to do it in any time and order you so please. That said, most of it can be completed within ~50-60 hours. It’s around that time, around the ~30-40 hour mark, that you’ll start feeling bored of the game since you’ve likely discovered all the surprises and events by the time. By this time, you probably know exactly what your favorite townspeople are gonna’ say on certain occasions. You’ve probably done most, if not all, of the achievements you wanted. You’ve probably tried everything this game has to offer by this time, and the game starts to lose its freshness very quickly.

Barone realizes that this is a common complaint with the game, though: Earlier this month, he announced that he’ll be working on patch 1.1 which will give you more dialogue with your spouse, create more events with non-marriage candidates (and even add 2 marriage candidates), add more secrets and surprises to the game, and even add a multiplayer version of which we still know nothing of. Arguably the most notable thing he said he was in the process of doing was getting a console release of Stardew Valley.

In the spirit of (most) Harvest Moon games and Animal Crossing (from which it also takes a lot of inspiration) Stardew Valley should absolutely be on a handheld console—more specifically the 3DS because the layout could be transferred easily (I imagine you can just put the menu and the backpack on the bottom screen). Being such a personal game, playing it on a hi-def TV with a PS4 would feel too grandiose for the modest and charming world of Stardew Valley.

Image Source: Steam Community

With having so much to do and total freedom in when and how you’ll do it, it’s no wonder that Stardew Valley is such an immersive and addictive game. It’s a game that you can play entirely how you want, and beyond being incredibly fun, is also incredibly relaxing. It’s major flaws come in its little late-game content and the occasional bug—usually nothing major, however, there has been multiple cases of people (including me) losing their save data on more than one occasion toward the game’s beginning. As long as you back up your saves though, this isn’t an issue.

As it was intended to be, this game truly feels like an improved Harvest Moon game–so much so that it shouldn’t be called a Harvest Moon game since they have many major things that set it apart. (EX: The lack of linearity and customization options Stardew Valley has) An incredibly solid, well-crafted game, and downright charming game, I’d give Stardew Valley an 8/10: Something I’d absolutely recommend to anyone who needs to relax for a bit or enjoys Harvest Moon/Animal Crossing-esque rpgs.

Kennedy