castlevania Archives • The Lifecast Network

31 Nights of Castlevania: Castlevania, the 30th Anniversary!

October 31, 2017 colin

Castlevania Screenshot

Castlevania is yet another game this year celebrating a milestone. Released in Japan in 1986 and in the US in 1987, Castlevania is now 30 years old. Simon Belmont’s first daring adventure into Count Dracula’s castle wowed NES owners back in the late 80s. It was another platformer released for a system whose library is full of memorable platforming games.

However, to quote the 80s classic This is Spinal Tap, it goes to eleven.

It’s one of the few games to fire off on each cylinder in each category. The graphics, the sound, the controls, the enemies, and bosses etc.. are all remarkable. It’s impressive the game has been unforgettable after all these years, despite being the first game in a long-running series.

For those who haven’t experienced fighting the evil vampire and his minions, they are missing out on one of the quintessential side-scrolling games.

The first battle against Dracula is one of the best, and more difficult, games on the NES
A shadowy, forbidding castle, followed by a gigantic bat greets players at the title screen. Pressing start will show one of the most memorable introductions to any video game. There is no dialogue or any indication of what is going to happen.

It’s Simon Belmont, confidently walking up to a gate. He is armed with the famous Vampire Killer whip and ready to take on Count Dracula and vanquish the evil inside the castle.

One of the reasons why Castlevania is such a unique game is the world created by Konami. The game itself started out as a tribute to both the classic Universal Monster films, as well as the Hammer Dracula film series. Taking one look at the variety of enemies and bosses in this game it is not hard to see why. Besides vampires, there are mummies, the gorgon Medusa and even Frankenstein’s monster designed after Boris Karloff’s iconic portrayal.

The game may not seem scary, but that was not Konami’s intention. They wanted to give players a creative universe, one that is set apart from the typical platformer. A spooky castle with dozens of horror homages is certainly what gives Castlevania its identity. No better example of this than the first game.

One characteristic of the game players will immediately notice is the graphics and the quality of detail. For an NES game only released one year (two years in North America) into the system’s lifespan, this is nothing to brush off. Backgrounds and stage graphics are incredible. Players will know they are in a fancy hall, broken down tower or a complicated laboratory. Simon himself is a well-animated sprite himself and actually resembles a person. A person made of eight bits, but a person nonetheless.

The controls are simple. Jump with A and whip with B. Getting that down is not hard for any newcomer. It also makes for some intense, yet strategic, gameplay.

An infamous feature of Castlevania, and the series as a whole, is the extreme difficulty. It is not a cheap game, although certain bosses are pretty difficult. However, the jumping controls are incredibly strange. Simon Belmont needs to gain a good amount of momentum in order to make certain jumps. It allows for players to not get careless and having to plan their jumps. Climbing stairs are strange too since you can’t jump onto the stairs in. Instead, players press up on the control pad. Finally, there It takes a little while to get into the setup.

Once a player finds their rhythm, jumping and climbing stairs is nothing. In a bizarre way, it actually adds to the game itself.

Impressive level design and a memorable soundtrack add to Castlevania
The levels are well detailed in a cosmetic sense, but the actual designs are intricate. This comes from Konami’s technique for designing levels during this era in gaming. The team behind several of their games, including Castlevania on the NES, strictly used graph paper in order to map out the stage.

This method kept the levels of Castlevania organized, but it also makes the levels flow better during gameplay.

Finally, there is the soundtrack. Castlevania showcases one of the greatest collections of music on the NES. Tracks like “Wicked Child” have a spooky, urgent tone behind them. “Stalker” sets up an atmospheric groove. Of course, no Castlevania game is complete without a version of the song “Vampire Killer.” The NES version of the song is still the best and most addictive to listen to.

My personal history with the first Castlevania
I first played the original Castlevania, not on an NES, but on a computer. Even more strange is the catalyst for how I got into this franchise. The game in question was Super Smash Bros. Melee.

It was February of 2003 and I was scouring the Internet for classic Nintendo games to play for free. I would research the games after getting a trophy of a particular character in Melee, and would want to play that particular game.

I stumbled upon a website which played NES games… nearly its whole library! I forgot which game I was intending to play, but I accidentally clicked on a completely different one without realizing it.

The game in question was Castlevania and I became hooked on it the second it booted up.

There was something about this horror-themed world that drew me in. I was, and still am, a fan of the classic Universal Monster films, which certainly helped. I always enjoyed platformers, so that is another aspect as to why I enjoyed the game. Most importantly, I was having fun. Whipping the zombies in the great hall of the castle, to jumping over Madusa heads, to finding all the classic horror monsters being represented it made for one of the best first impressions for a game.

From that point forward, I became obsessed with Castlevania and the franchise as a whole. I excessively researched the history of it; what all the bosses looked like, what other games were like in the franchise, and if anyone else had

I tried playing nearly as many games in the series as possible. I became incredibly giddy when the NES classic was re-released on Game Boy Advanced, downloaded Super Castlevania IV on my Wii as one of the first Virtual Console games, and I bought a PS3 to play the Lords of Shadow reboot.

An incredible and enduring game 30 years later

The Castlevania series has been haunting gamers for three decades. Even after numerous sequels, spin-offs and reboots, the original Castlevania is still a perennial classic. In my eyes, Castlevania is a bona fide classic and deserves to be seen as one. I also love the entire franchise so much to the point where I consider it my personal favorite gaming series.

It broke ground for platformers in level design. It introduced the world to a new type of atmosphere. Most importantly, the game was just flat out fun and manages to succeed on every single feature that makes it a video game.

The Belmonts, their allies, and others will always have their eternal struggle with the evil Count Dracula.

Fans of the first Castlevania will always have their eternal appreciation for it.

31 Nights of Castlevania: Castlevania: Curse of Darkness

October 20, 2017 colin

Castlevania: Curse of Darkness Screenshot

Released the same year as God of War and Devil May Cry 3, Castlevania: Curse of Darkness is part of that action game subgenre that combines hack n’ slash and RPG elements.

Unfortunately, while it is a slight improvement over Lament of Innocence, Castlevania: Curse of Darkness is just another hack n’ slash. It’s not a terrible game by any stretch of the imagination, but it doesn’t overshadow Lament of Innocence as a superior sequel, but just stands as a good 3D Castlevania game.

Castlevania: Curse of Darkness is another prequel in the series

Taking place a mere three years after the events in Castlevania III, Dracula’s evil is still alive and well in the land of Wallachia thanks to a Devil Forgemaster, who are sort-of generals in Dracula’s army (Author’s note: AMAZING name for an industrial metal band) named Isaac. Hector, a reformed Devil Forgemaster who ALSO looks like Alucard is going on an adventure to fight Dracula. Along the way, he will lazily stumble come across characters in Dracula’s Curse.

The setup is intriguing, but not really taken advantage of. There’s no real throwback or tribute to certain levels or bosses from the NES game. Trevor Belmont shows up to share some incredibly hammy dialogue and to have a pretty good boss fight, but it screams “glorified cameo.” It’s all kind of a waste of an idea. Not to mention, the level design is already bland to begin with (oh wow, a haunted forest! A castle! Wow…) so having it takes place around the same time as one of the most iconic games in the franchise and not revisit locations from that game, it seems like a pointless idea. At least the newish areas do take advantage of the XBox and PS2 hardware and are nice to look at.

Castlevania: Curse of Darkness Screenshot

The gameplay is solid…and not much else in Castlevania: Curse of Darkness

However, from a gameplay standpoint, Castlevania: Curse of Darkness is a lot of fun. Hector can be equipped with an absurd amount of weapons, including a variety of swords and melee weapons. Being a former Devil Forgemaster, he also has the ability to cast powerful spells and raise stats thanks to the Devil system; Hector can have a little minion attack enemies, improve his damage, or give him weapons.

It’s a unique system, and on-top of the customization with armor and weapons, Castlevania: Curse of Darkness welcomes some much-needed RPG elements.

Castlevania: Curse of Darkness Screenshot

The combat itself is also refined. Curse of Darkness adds a lock-on feature to make battling enemies easier and the combos aren’t so “dial-y” and feel more free-flowing.

Finally, the soundtrack is thankfully very good. It’s far less atmospheric than Lament of Innocence and has some great tributes to other classic Castlevania tunes.

Despite the improvements made to the gameplay, the rest of Castlevania: Curse of Darkness is just shy of being “great.” The bland level design and completely un-compelling story make it a huge chore to get through most of the time. It’s a shame since Curse of Darkness could have been great and as good as the other action games released this year.

31 Nights of Castlevania: Castlevania: Rondo of Blood

October 9, 2017 colin

Akumajou Dracula X: Chi no Rondo Screenshot

Castlevania: Rondo of Blood is the only Castlevania to be released for the PC Engine CD. It was also a Japanese only release until the compilation the Dracula X Chronicles for the PSP and the official release on the Nintendo Wii’s Virtual Console.

It was worth the wait, because what a game Rondo of Blood is. Konami took full advantage of the system’s sound capabilities and managed to show off some stylish cutscenes as well. Rondo of Blood may not have the graphical tricks and whip controls of Super Castlevania IV, but the overall package is a fantastic one.

Akumajou Dracula X: Chi no Rondo Screenshot

A new Belmont takes on Dracula in Rondo of Blood
Players will take control of Richter Belmont, the latest member of the Belmont clan to wield the Vampire Killer whip. One aspect of Rondo of Blood players will take note are the graphics. Not just with the creepy intro and anime-styled cutscenes, but with the game itself. It’s a well-animated game, as backgrounds will also have a life to them.

Akumajou Dracula X: Chi no Rondo Screenshot

Enemies won’t have just one walk cycle, but will sometimes disintegrate or break down after being attacked. Richter himself is also animated in his confident idle pose. There is just as much color as seen in the SNES games, but the graphics are not quite as crisp. Regardless, Rondo of Blood is a nice game to look at.

Richter is not the only playable character, as the little girl Maria Renard joins him. Maria uses cutesy animals as weapons and is actually pretty fun to play as. Their initial meeting is actually pretty humorous.

Controls are back to the usual two-button format and the awkward jumps are back. Not to mention, Richter doesn’t know how to whip in all different directions. However, he does know a backflip which helps dodge enemies. He also has the Item Crash attack in which, at the cost of a few hearts, he will create a super attack based on a particular item.

Level design is not just linear, as each stage has more than a few exploration options. Richter is not only looking to defeat Dracula, but also rescue is girlfriend and other maidens. Rondo of Blood’s levels are huge and has a similar branching path system seen in Dracula’s Curse, except done in a more organic manner.

Akumajou Dracula X: Chi no Rondo Screenshot

Every stage is well designed too. The opening stage in the burning village, the clock tower, and rest of the castle are actually fun to play in. There is a lack of adventure feeling, but it’s still a great experience.

Akumajou Dracula X: Chi no Rondo Screenshot

To complete this phenomenal game, the soundtrack is superb. The addictive sounds of Castlevania: Rondo of Blood are a unique mix of original music and classic Castlevania tunes. Combined with some crisp voice work from the characters, and this is easily one of the best sounding games.

Challenge is a bit high but does not bring down Rondo of Blood
Castlevania: Rondo of Blood brings the controls brought back to basics, which actually creates a lot of challenge in the game. Enemy’s attacks will send Richter flying back and precision jumping is a lot more difficult. His backflip may not help too much in certain situations as well.

Akumajou Dracula X: Chi no Rondo Screenshot

Enemies and bosses are also in complete defense mode and are borderline merciless in some stages. For example, the knights in the clock tower and dragon heads take a lot of hits, regardless if the player is using Maria or Richter. It’s nowhere near as brutal as its SNES counterpart Dracula X, but it will cause a few broken controllers. Especially in the later stages.

Castlevania: Rondo of Blood succeeds in being a fantastic Castlevania game because of its impressive levels and gameplay. It also manages to capture the horror atmosphere well with the soundtrack and graphics, despite being on a unique system. Its bizarre spikes in difficulty may turn players off and the true lack of any major gameplay changes may turn fans off. However, sticking through it, Castlevania: Rondo of Blood stands head and shoulders above many entries in the series and can be considered one of the best.

31 Nights of Castlevania: Haunted Castle

October 3, 2017 colin

The first of two Castlevania games released for the arcades, Haunted Castle is a kind of awkward game. On one hand, it’s technically not part of the canon (Haunted Castle is one of the many, many re-imaginings of the first game) and it appears to be a cheap knock-off. But on the other hand, it’s a decent arcade game to look at. Playing it on the other hand, not so much.

Haunted Castle was only released in the arcades and has become one of the more obscure entries in the franchise. If you’re a diehard Castlevania fan, Haunted Castle might be worth checking out, even with its awful design choices.

Haunted Castle has great aesthetics and a…story?

Wedding bells are ringing for Simon Belmont and his lady love dressed in all white (it actually looks kind of hilarious), but then, in a scene totally not ripped off from Ghosts N’ Goblins, Dracula abducts her!

Problematic storytelling tropes aside, this marks the first time a Castlevania game gave a Belmont a personal reason to go after the Count. Not a great story, but it’s a pretty cool trivia thing for Castlevania nerds.

Anyways, Haunted Castle looks fantastic for a late-80s arcade game. Backgrounds are well-detailed and every stage has a unique little feature to them. For example, the fire that rises up in the first stage is actually pretty cool. Simon looks Conan the Barbarian-like and it’s a welcome change in his usual design. He’s still missing pants though…

Shockingly enough, it’s the music that will actually stick with you. “Bloody Tears” makes an appearance and a few of the original tracks are pretty great.

Short and difficult, Haunted Castle is perfect for the arcades

Ask any old school, hardened retro gamer what they think is the most difficult game and they will probably give you a different answer. The aforementioned Ghosts N’ Goblins, Ninja Gaiden, Robotron, etc. are all typical answers.

Haunted Castle is that kind of difficult. The kind that ruins your day and never makes you want to play it again. And one that brings it down from “decent” to “terrible.”

The controls are sluggish and exceptionally awkward. Having a constant barrage of enemies coming at you does not help at all, as Simon appears to wind up his whip. This makes the game cheap, as the control response is beyond atrocious. This also makes the platforming segments beyond frustrating and it always feels like pure luck whenever Mr. Belmont makes a jump.

Also, the enemies are incredibly uninspired. Bats? Zombies? Yay. Although, Dracula has an interesting final form…

Had the game just been a linear, single plane beat ‘em up, and a couple extra months of debugging, Haunted Castle may have been a better game. It would have been repetitive, but at least it wouldn’t be seen as one of the worst games in the franchise.

31 Nights of Castlevania: Vampire Killer

October 2, 2017 colin

Released not too far off from the first game, Vampire Killer is not just a port of Castlevania to the Japanese MSX2 computer. Instead, Vampire Killer is a different interpretation by taking on a non-linear approach. Vampire Killer is also a great game to look at, as the MSX2 had more powerful graphics capabilities.

Starring Simon Belmont on his one of many quests to defeat Dracula, Vampire Killer is an “okay” to the long-running series. There are more than a few major shortcomings that make Vampire Killer mostly known by Castlevania purists.

And it was only released in Japan and Europe.

But first… the good stuff about Vampire Killer
Booting up Vampire Killer (Author’s note: or emulating it in my case…) the first thing players will notice are the graphics. There is a great mix of colors and textures. For example, the trees look like trees and the castle’s architecture is well-detailed. It’s a nice lookin’ Castlevania game.

There is also a focus on exploration and, shockingly enough, melee combat. There are seven stages in the game, and each of them are non-linear. Simon can wield swords, shields, and maces to help combat zombies and other monsters. Since there are several weapons that need to be found, it gives the player a chance to see the game from a different point of view. In a strange way, Vampire Killer has more in common with Metroid than the first game.

Now…the bad stuff of Vampire Killer
Exploring seems pretty cool, right? Unfortunately, Vampire Killer’s exploration schtick is that: a gimmick. Once the player knows where everything is, it’s no longer fun. Plus, the levels aren’t that big to really be explorable. Also, since the MSX does not have the scrolling features of the NES, Vampire Killer moves at a sluggish pace.

This has the game varying in difficulty, as Simon does not have any real momentum to combat his enemies. Also, Dracula is almost a joke of a final boss fight with how painstakingly slow he moves.

Dracula does look pretty cool though…
Image courtesy of the Castlevania Dungeon.

Also, the music is downright awful. The chintzy rendition of “Vampire Killer” is not terrible, but it is skin-crawling. And considering how the MSX produced classic tunes from the early Metal Gear games, it’s not like the computer couldn’t not create some decent music.

By all means, Vampire Killer is not a bad game. It does, however, suffer from incredibly awkward controls and a difficulty curve that resembles a person’s nervous system. Also, it’s biggest difference is only skin-deep. However, much like Simon’s Quest, Vampire Killer is almost like a precursor to the Metroidvania phase of Castlevania.

31 Nights of Castlevania: Castlevania II: Simon’s Quest

October 1, 2017 colin

Castlevania for the NES is a bonafide classic. There is no question about that.

Castlevania II: Simon’s Quest, on the other hand, is often regarded to be the red headed step child of the NES trilogy. Not without good reason either, as it is an immensely flawed sequel. It was also the first game to feel the Angry Video Game Nerd’s wrath.

However, that does not mean it’s a terrible game. Castlevania II: Simon’s Quest took the series when it was just starting out, and experimented a little. In this aspect, Konami should be applauded. Simon’s Quest is a solid entry in the Castlevania series, despite some glaring problems.

What a horrible night to have a curse!
Taking place a few years after the first game, Simon’s Quest has Simon Belmont traversing over Transylvania. After Dracula’s defeat in the first game, Simon has a curse placed on him. In order to rid the curse, he must find Dracula’s body parts, resurrect the vampire and defeat him once and for all.

The adventure format was a big departure from the first game’s linear platforming. This aspect is both Simon’s Quest’s best strength and worst weakness. It allows for more freedom and variety in the scenery. Although, the overly cryptic nature of the map and what little help the townspeople have in the shop sections make this quest a bit of a slog.

One of the best features of any Castlevania game is the amount of horror film/mythologic iconography Konami stuffs in. Unfortunately, Simon’s Quest has a lack of great boss fights and creative enemies. The Grim Reaper makes an underwhelming appearance and Dracula looks like a generic Halloween costume found at any dollar store. They aren’t even challenging boss fights too, which is exceptionally disappointing.

The morning light has vanquished the evil!
What’s good in Simon’s Quest? Quite a bit actually. The graphics and controls are as good as they were in the first game. This is almost required for a relatively long game like this one. The player won’t feel bored, as the day and night cycles keep the challenge coming on.

The music is fantastic too as this was the first Castlevania game to introduce the fan favorite music track “Bloody Tears.” If a player has also managed to fight with the game and stick to it, they will find a decent amount of challenge, and even fun, within Simon’s Quest.

The RPG elements, in a strange way, were a precursor to the Metroidvania-style Castlevania became synonymous with. The items and power-ups found in the game are actually some of the coolest in the series. When’s the flaming whip going to make a comeback?

It’s not perfect, but Castlevania II: Simon’s Quest is a worthy entry in the series. Newcomers will just have to push through the adventure parts. Longtime fans should forgive the cryptic nature of the game, give Simon’s Quest a second chance.

The Lifecast Presents… 31 Nights of Castlevania!

September 30, 2017 colin

The night has just fallen onto Transylvania, as a familiar evil fills the air. A broken down and terrifying castle looks ominous in front of the full moon. It appears Count Dracula has risen again and whoever wields the Vampire Killer whip will have to destroy him. Using their skills and weapons, can they survive the night?

Image courtesy of VG Museum

Their adventure will be filled with perilous traps and horrifying monsters the likes mere mortals are too terrified to see.

This is Castlevania.

Castlevania is a video game franchise which celebrates horror and manages to cram in some of the best gameplay of any action/action-RPG game. The spooky atmosphere, references to classic horror films and mythology and overall quality between games has made Castlevania a series many gamers are fond of.

Everyone has a Halloween tradition…

As the Lifecast’s resident Castlevania fanatic, I always try to play as many of the games as possible during the Halloween season. Whether it’s running through the castle in Symphony of the Night or fighting Dracula for the first time in the original game, I am not picky. I enjoy the series that much.

Image courtesy of VG Museum

I decided to change it up this year for my yearly binge. I decided to share my love for the franchise with the Lifecast.

Welcome to the 31 Nights of Castlevania!

From October 1st to the 31^st, there will be a new Castlevania review on the Lifecast’s homepage. It will end with a big 30^th anniversary retrospective on the first game in the series, as it is celebrating the big 3-0 here in the ‘states.

Giving Castlevania a proper series retrospective

The entries themselves will be varied enough from the series’ eras. The classic platformers on the NES and SNES, the awkward but decent 3D period and the birth of the Metroidvania genre. There will even be some coverage of spin-offs, rip-offs, and the (surprisingly) critically acclaimed Netflix show.

It will end with a big 30^th anniversary retrospective on the first entry, as it is celebrating the big 3-0.

However… what will be the first to kick it off?

Here’s a hint…

Image courtesy of VG Museum.

Rare Games That Don’t Suck: GBA Edition

August 2, 2016 dan

Two months ago, I wrote an article about rare games that are actually worth their asking price on the Gamecube. I did this because like many collectors, I’ve noticed that there’s a glut of rare games out there that are so outrageously expensive not because they’re outrageously good games, but more often than not it’s because of things like limited quantities of a game, exclusivity, a certain version or cover or edition of a game, etc. Sure, there are plenty of rare games out there that are so rare because they’re such excellent games and everyone wants a copy–games like Chrono Trigger, Suikoden II, and .hack//G.U.–but then there are your Flintstones: Surprise at Dinosaur Peak, Cheetahmen II, and Spud’s Adventure sort of games that are only rare and expensive because of the aforementioned reasons: The games themselves aren’t very good, they’re just elusive. I wrote my first Rare Games that Don’t Suck on the Gamecube because it’s arguably my favorite console of all time. Now, I’d like to tell you about rare games that don’t suck on what is by far my favorite handheld console of all-time, the Game Boy Advance.

Final Fantasy VI Advance

Image Courtesy of GameFAQs

The first game I’m going to talk about is one that doesn’t really need much of an introduction. As the title suggests, it’s an enhanced port of Final Fantasy VI on the SNES. Final Fantasy VI Advance has been subject to critical acclaim, just like its SNES counterpart, with an 8.9/10 from GameSpot, a 9/10 from IGN, 9/10 from Eurogamer, a 31/40 from Famitsu and many more. On average, a complete used copy of Final Fantasy VI Advance is $59.48, with a brand new copy costing you about $80.

Final Fantasy VI is the story of a girl named Terra, who is captured by the empire and forced to fight against her will. She was eventually broken free and rescued by The Returners, who also want to use Terra for their own purposes in war, but they ultimately respect her freedom, and let her make her own decision. I’ll stop there because after that is when it gets really good. It has a fantastically told story, a truly unique world to explore, incredibly memorable characters, solid and consistent combat, and stunning visuals for what it has to work with. The limitations of the GBA caused a musical downgrade, but that’s really it. It’s still a faithful version of one of the greatest games of all-time.

Car Battler Joe

Image courtesy of GameFAQs

Car Battler Joe is one of the many, many hidden gems on the GBA. As a matter of fact a lot of the games on here are expensive because they’re hidden gems. Car Battler Joe is about this guy named Joe who is basically the standard kind of protagonist you’d see from a show like Beyblade or something, and that goes double for the game. It’s received relatively high acclaim from reviews (8.1/10 from GameSpot, 7.7/10 from IGN), and is one of my personal favorite GBA games. A used complete copy of Car Battler Joe will run you roughly $85. New copies for this game are incredibly hard to find, so getting an estimate on the overall price of a new copy is hard, but recently there was a copy sold on Ebay for $440.

You go around the world doing missions in your car, from fighting off bandits, to delivering packages, all the while collecting parts to either build new cars or upgrade your current one. These cars are equipped with various weapons that you can adjust and customize to your liking for combat. Basically think this weird version of that movie Death Race but if it were super anime, intended for children, and actually good. Mechanically speaking, it’s essentially a third person shooter/cart racer, but without the racing. In terms of sheer control, Car Battler Joe is fantastic. Each car controls differently and each weapon has different physics, and combining this with the tight controls means you’ll get consistently great gameplay. Customization is also complex, especially for a GBA game. The combinations of cars and weapons are incredibly varied, and just trying out different combinations will take up a lot of time in the game. It’s a truly fun experience.

Super Robot Taisen: The Original Generation 2

Image courtesy of GameFAQs

Alright, let me get this out of the way right now: I love me some mecha anime. Mechs are like the best things ever. Giant robots fighting other giant robots with high-adrenaline pilots and stupidly overpowered weapons? What’s NOT to love? Being a huge mecha fan, when I found out that there was a strategy RPG series about anime mechs fighting each other, I was all in. What I ended up getting was one of the best strategy games I’ve ever played, along with being loved by the others who have played it (8.5/10 from GameSpot, 85% from RPGfan). Good news, though! This is the cheapest game on the list. A complete used copy is worth about $45 – $60, and a new copy goes between $65 – $90. What a steal!

Super Robot Taisen: The Original Generation 2 (hereon referred to as SRT2) picks up right after the first game left off. I would explain the full story, but it’s so long and complicated that it’s not worth it. All you have to know is that in the first game, there was a war between our protagonists and a faction called the Divine Crusaders, along with an alien race called the Aerogators. What’s happening now is that the world is fixing up its mechs in case something like that happens again, and low and behold, something like that happens again. Only they’re much stronger than the Aerogators or the Divine Crusaders. The gameplay is just complex enough to encourage good decision-making and strategy, and it also has a really good difficulty curve; never getting too hard, but never being a total cakewalk either. The roster of mechs is diverse, and it offers many ways for you to build a personal team (mix and match pilots and mechs, upgrading mechs and weapons, etc.). It’s also absolutely gorgeous for a GBA game and has a fantastic OST.

CastleVania: Aria of Sorrow

Image courtesy of GameFAQs

Ho boy this game. This was back when CastleVania knew what it was doing. It’s no Symphony of the Night, but it gets pretty damn close, as shown in its ratings. 9/10s across the board from all sources. Everyone pretty much agrees that Aria of Sorrow is one of the best CastleVania games. A used complete copy of Aria of Sorrow will cost you around $70, where as a brand new copy will cost you more around $90. You play as Soma Cruz, who is basically the second coming of Dracula except not really, and you’re sucked into Dracula’s moon castle and are trying to get out while also stopping someone else who is also basically the second coming of Dracula except not really.

You’ve got your standard MetroidVania style gameplay, except much better in terms of controls. The previous CastleVania games, Harmony of Dissonance and Circle of Moon, didn’t control nearly as well as Aria of Sorrow. Soma has the perfect weight to him, feeling just floaty enough for the environment while still feeling like you have to move him around well to succeed. It’s got a soul-absorption system which basically gives Soma the powers of enemies he defeats, and then standard RPG stuff like armor and weapons. The game looks and sounds fantastic, though the story is fairly weak. Combat is incredibly satisfying, and the enemies and environments are very well-designed. My only real complaint is that it’s pretty short, but other than that, it’s fantastic.

Ninja Five-O

Image courtesy of GameFAQs

There’s a chance you’ve heard of this one. It’s not incredibly popular, but those who have played it will say that it’s one of the best games on any handheld system ever. It’s received tons of ratings generally around an 8.5 – 9/10 from almost everywhere. But it’s also probably the single most expensive game in the GBA library, and by far the most expensive game on this list. A complete used copy of this game is worth an astonishing $356. What about a brand new copy, you ask? $515. Five hundred and fifteen dollars. And that’s not all. Even if you want just the cartridge, it’s still going to cost you over $100. This game is incredibly rare.

The game itself is a 2D stealth platformer where you play as a ninja, who can slash his sword and fling his projectiles. As you progress through the levels, you have to kill bad guys, rescue civilians, find keys to progress. You can use a grappling hook to traverse high ground, and also find power ups to make your attacks stronger and give you different projectiles. You really do feel like a ninja while playing this game; hopping up and stealth attacking opponents, catching them from behind to go for a kill, and sometimes even just running in guns blazing. The level design is top-notch, really lending itself to a slower-paced, more stealth and timing-focused style of game. Combine that with nice-looking graphics and a pretty nice soundtrack, and you’ve got a recipe for a fantastic game.

As I said last time, when you’ve got some spare cash, don’t be responsible and save it, go spend it on pointless video games!