Game of the Year, Tyranny, Frosty Faustings, and Speedruns | Ep.48
“It sounded like the upper register of a piccolo.”
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“It sounded like the upper register of a piccolo.”
Podcast (lifecast): Play in new window | Download
Subscribe: Apple Podcasts | Android | Google Podcasts | Stitcher | RSS
Ask anyone what some of their favorite 2016 anime have been so far and I promise that almost everyone who’s watching it will include the Ace Attorney anime on their list. Whether they’re new fans who used the anime as a gateway into the franchise or longtime fans who want to relive the fun of the first two Ace Attorney games, several people–including myself–can’t get enough of the Ace Attorney anime. This really shouldn’t be a surprise not just because they’re excellent games, but because they’re so dialogue-based, it’s natural that they would transition well into an anime. Last week I wrote a list of Japanese games that likely wouldn’t make good anime–this week, I bring you a list of 5 Japanese games that I think would have good anime adaptations. Like the previous list, however, there are rules:
On that note…
There are very few games that are practically begging to become an anime as badly as No More Heroes. First of all, this action-adventure, hack-and-slash is home of some incredibly unique characters–most well-known being the over-the-top, nerdy protagonist, Travis Touchdown. These characters alongside the already anime plot (Travis wants to be the top ranked assassin in the world) would let the episodes practically write themselves: Just animate some explosive fights and adapt the writing from there. It could be a fantastic action/comedy that would help new fans fall in love with the incredible world of this underappreciated gem, and would allow older fans to relive this incredible game.
Confusing writing aside, The World Ends with You could make a wonderful anime. First of all, there’s the art style of the game–who wouldn’t love to see a TV anime (I say TV anime specifically because of the Redline movie) done in this style? Second, this game is home to a fantastic soundtrack that could be reused in an anime adaptation. Most importantly, I think that the writing in this game would be well-suited for an anime. It’s very easy to see in the game which conversations are important and which are more unnecessary, so it would be pretty easy to trim the fat from this game if it were to be adapted. There’s a large enough cast of characters to make an anime version of it hold the interest of the viewer through the characters in addition to the plot, but without overwhelming them since each character is so unique. Finally, because all the excessiveness of the writing in the game would be gone, it would be much easier to appreciate the character development in this game, alongside understanding the story which, admittedly, gets incredibly confusing at the end. This game will be 10 years old next year, and though we’ve seen some of the main characters appear in Kingdom Hearts: Dream Drop Distance, we’ve never had a sequel to this game. Tetsuya Nomura has gone on the record saying that a sequel is still a possibility, and what better way to get people excited and jog their memories of this game than with an anime adaptation?
My main reasons for wanting a Final Fantasy 6 anime are the same reasons that I would also love a remake of this game, as I explained in my list of very unlikely games that I’d like to see announced at E3 that I posted in June. To quote the article, “I want to see Kefka’s face twist and writhe as he laughs maniacally, I want to see a more animated transformation for Terra, I want to see the opera scene as cinematically as possible—and I know I’m not the only one, as Final Fantasy VI is generally considered to be arguably the best 2D Final Fantasy game.” Final Fantasy 6 is a fantastic game, which is why I’d like to relive the whole thing, but more visually this time. The graphics were good for their time, but I think it’s time for an upgrade–be it a 3D remake or an anime. The writing for Final Fantasy 6 is incredible, and it contains arguably the best villain in Final Fantasy as well as some of the most memorable characters overall in Final Fantasy history. My only worry for a Final Fantasy 6 anime is condensing it, because it’s a pretty long game, so picking it apart and condensing it could potentially cause trouble, but I’m sure it’s still doable.
Seeing this game on the list probably won’t come as a surprise to most people who read the previous list of Japanese games that I think wouldn’t make good anime. For anyone who didn’t read it, suffice to say, I mentioned that Ocarina of Time wouldn’t make a good anime because it focuses more on the freedom of an open world and game play than it does the story–and in an anime, because you lose the game play and the freedom, it would rely heavily on the story–something Ocarina of Time simply doesn’t have as much of as other Zelda titles. Perhaps no Legend of Zelda game embodies great storytelling as well as Majora’s Mask, which is why I think it would make an excellent anime. It would also be really interesting to see what the production company would do to show the 3-day mechanic, but again, this is a wonderful tool for storytelling. Like Final Fantasy 6, the only foreseeable issue that could arrive is condensing it down, but due to the length of this game versus Final Fantasy 6, I’m sure it would be an easier feat for Majora’s Mask.
I think Awakening in particular would make the best Fire Emblem anime, but any given Fire Emblem game would likely be at least a good anime. First of all, there’s the linearity constant throughout the entire franchise: Each game is pretty straightforward in its story and what it wants you to do. This would translate well into an anime because it gives the whole thing an overarching plot–a goal to obtain–and thus helps the viewer stay focused in the writing. Secondly, Fire Emblem games are generally well-known for having very memorable characters–particularly Awakening, which is the first of 3 reasons I have for thinking it would make the best anime of any Fire Emblem game. Having good characters are a staple for having a good anime because they make the viewer care more because they care about the characters and they want to see what they do next. The only major problem with that and Fire Emblem is that, due to the perma-death these games are so famous for, there are dozens of important characters in each game. It would definitely become a task trying to figure out who’s more important that who, and thus, who warrants more screen time, if any characters should be cut out entirely, etc. Although it would definitely be the biggest obstacle in making a good Fire Emblem anime, I think that would be the only notable one because once you figure out who’s important enough for screen-time, the writing would be easily adapted by the in-game dialogue, and could likely be used word-for-word because of the aforementioned linearity. The other major reasons I think Awakening in particular would make the best Fire Emblem anime is 1. It’s generally called the best entry point into the series. Granted those are for game play reasons, I think it would still hold true in an anime since the characters of Awakening have proved their importance in the future of the franchise as we can see from Fates. 2. Frankly, Awakening has the best story of any of the Fire Emblem games I’ve played. Combo that with the most memorable characters and it’ll be a great experience for the viewer.
Like I said in the previous article, I’d like to encourage leaving comments with your thoughts: What are some games you like that you think would make good anime? Why? Do you disagree with any of the games on this list? Did I leave anything out? Again, in the pursuit of knowledge, I’d like to heavily encourage feedback.
Since Nintendo’s beloved The Legend of Zelda: Majora’s Mask was released, its defining hallmark was the fact that the game ran on a steady three-day timer. Your objective, as the young Link, is to save the world and return a powerful, evil mask to the Happy Mask Salesman. In three whole days. At 6 AM, on each day you experience in-game, you’re presented with a screen that ominously reminds you just how many hours you have to complete whatever you’re doing, save the world, and return the mask. With a whopping four dungeons, a multitude of side quests, and a great trouble thrust upon your shoulders, three days seems like… not long enough.
The main thing is that as Link, you gain access to the Ocarina of Time after completing the first cycle. After all, this game wouldn’t be a true sequel without some callbacks to the first. After you get the ocarina, you’re free to control the flow of time. The Song of Time allows you to skip forward, slow the passing of time, or return to the beginning of the three-day cycle. You can now use time to your advantage. Anything you collect or progress will be reset upon returning to the beginning of the cycle, though if you’ve beaten a dungeon you don’t have to do it all again, just the boss battle.
So let’s say, in your first play through, you’re in the final hours on the third day, and the timer is counting down the minutes until midnight. You’ve completed a dungeon and helped Anju and Kafei out with their quest, but there’s still more to do. You’re not done calling out to the four giants just yet. So you warp back to day one. Save the game, start over. Your restockable items like bombs and rupees fly out of your pockets as you fall through a spiral of clocks, winding backwards.
You go up to any NPC you helped out or at least talked to in your previous cycle and they spit back that same first line of dialogue. To them, those three days didn’t happen. You didn’t help them out. For all they know, this is your first time in Termina, and you’re just stopping by for the carnival. You’re not here to save them. They don’t even know they’re in danger. Majora is still out there, in mask form, and for all they know, it’s having a nice picnic in the mountains.
For years, I’ve been trying to wrap my mind around this situation. To me, Majora’s Mask holds some of the most intricately designed backstories in The Legend of Zelda‘s in-game universe. Clock Town feels like the small, rural town that I imagined I’d grow up in. Everyone knows each other and for the most part, they’re pretty friendly towards one another. Then Link, an outsider, swoops in and saves this tiny town from an imminent doom that they don’t know about.
And after everything, even during the time that Link is scrambling around to try and fix whatever problems everyone’s going through, he’s forgotten about. After the carnival, nobody remembers him, though he’s collected the masks as tokens of the memories he’s shared with the townsfolk. In the long run, it’s not even about saving the world for Link. Termina is just a pit stop on the road to finding his friend. He didn’t have to help the Happy Mask Salesman, he didn’t even have to care about anyone in the town. He could have called it a day and left.
Majora’s Mask forces players to think about things other than them in the game. Sure, you could ignore the side quests and focus on the four dungeons, but no matter what you do, there will always be someone that needs help. They may not always remember, and you may not even gain anything from it, but you will remember. Even now as I play through the game, I do my best to memorize the steps I have to take for every single side quest so that I won’t forget anyone next time. Majora’s Mask is the only game to ever give me characters I care about so much that I’d draft an entire game guide in my memory for their sake.
The fact that the game is on a timer makes your decisions have more weight. Regardless of your course of action, it’s impossible to help everyone in one cycle. Someone will be left behind, and someone will be forgotten about. In the end, I’d much rather finish the game and have Link be forgotten by the citizens of Clock Town than fail to help them when I’m able.